This paper presentation draws on the author\u27s role as a literacy educator and personal identity as a reader to explore the nexus of literacy instruction, autoethnography, and visual storytelling. In particular, the author focuses on comic books and graphic novels (a range of texts that can be subsumed under the term “graphica”), and their function in both personal literacy development and in pedagogical work. This autoethnography features notes captured in the form of five comic book images constructed by the author to inform their teaching practice, and the role of autoethnography as a narrative process with cultural reflection stems from Chang\u27s (2008) implementation of term, as well as prior work uniting notions of self with cultur...
This project uncovers representations of literacy in superhero media. Observing how diverse concepti...
With the recent explosion of activity and discussion surrounding comics, it seems timely to examine ...
This book updates reader-response criticism as the foundation of aesthetic reading in the classroom ...
This paper presentation draws on the author\u27s role as a literacy educator and personal identity a...
In the era of digital information the environment of learning and teaching has undergone tremendous ...
For most of the 20th century, comics and graphic novels have not been considered worthy of inclusion...
A series of five, serially produced, self-published comic books presents the genesis, execution, and...
The popularity and cultural influence of the superhero genre is undeniable. Despite the rise of the ...
This case study investigates how readers read comics. The work, based upon Roland Barthes' concept o...
This study explored the writer’s growth as a literate person and her emerging identity as a teacher...
Most educators are unfamiliar with ways to use comics and cartooning, thus classroom opportunities f...
Building off the argument that comics succeed as literature--rich, complex narratives filled with co...
Comics can be used as sophisticated teaching tools at a high level of education. Comic books, graphi...
Literacy scholars have argued that curricular remediation marginalizes the dynamic meaning-making pr...
Literacy scholars have argued that curricular remediation marginalizes the dynamic meaning-making pr...
This project uncovers representations of literacy in superhero media. Observing how diverse concepti...
With the recent explosion of activity and discussion surrounding comics, it seems timely to examine ...
This book updates reader-response criticism as the foundation of aesthetic reading in the classroom ...
This paper presentation draws on the author\u27s role as a literacy educator and personal identity a...
In the era of digital information the environment of learning and teaching has undergone tremendous ...
For most of the 20th century, comics and graphic novels have not been considered worthy of inclusion...
A series of five, serially produced, self-published comic books presents the genesis, execution, and...
The popularity and cultural influence of the superhero genre is undeniable. Despite the rise of the ...
This case study investigates how readers read comics. The work, based upon Roland Barthes' concept o...
This study explored the writer’s growth as a literate person and her emerging identity as a teacher...
Most educators are unfamiliar with ways to use comics and cartooning, thus classroom opportunities f...
Building off the argument that comics succeed as literature--rich, complex narratives filled with co...
Comics can be used as sophisticated teaching tools at a high level of education. Comic books, graphi...
Literacy scholars have argued that curricular remediation marginalizes the dynamic meaning-making pr...
Literacy scholars have argued that curricular remediation marginalizes the dynamic meaning-making pr...
This project uncovers representations of literacy in superhero media. Observing how diverse concepti...
With the recent explosion of activity and discussion surrounding comics, it seems timely to examine ...
This book updates reader-response criticism as the foundation of aesthetic reading in the classroom ...