Add to ORKGArtist's book (edn of 12) forming part of the series The Empty Gallery Interviews, by Claire Nichols. This book was exhibited at the London Art Book Fair, Whitechapel Gallery, London (2010) and the New York Art Book Fair, MoMA PS1, New York (2011). It was recently acquired by Chelsea College of Art & Design Special Collections
One and One and One is a group exhibition in two parts: One and One and One, CGP Gallery, London, Se...
One and One and One is a group exhibition in two parts: One and One and One, CGP Gallery, London, Se...
How does a writer, a researcher, an artist, or a musician know when a piece of work is finished? And...
The Empty Gallery Interviews was a series of live conversations held with exhibitors ahead of their ...
In reference to Yves-Alain Bois and Rosalind Krauss in Formless: A User's Guide, 1997, which maps o...
Stephen Conn, Do Museums Still Need Objects?, Philadelphia: University of Pennsylvania Press, 2010, ...
The creative artefact is an artist’s book issued in an edition of 1000. Through making a series ...
A review article of three separate books by Stephen Conn, Charlotte Klonck and Christopher Whitehead...
Framed by the theoretical concepts of assemblage and desire from philosopher Gilles Deleuze, and his...
The exhibition will explore the working relationship between making, materiality and thinking, how i...
By locating his thinking and artistic practice within the context of ‘performing’ (as opposed to te...
Void is a proposed exhibition that collects modern and contemporary artworks that surround the idea ...
Conversations about Everything is based on a three way conversation about a performative educational...
Group exhibition at Tenderpixel, London 27 June - 26 July, 2014 Cathy Haynes, Fay Nicolson, Kent...
The blank page represents a void, an open area of space that holds the potential for architecture. T...
One and One and One is a group exhibition in two parts: One and One and One, CGP Gallery, London, Se...
One and One and One is a group exhibition in two parts: One and One and One, CGP Gallery, London, Se...
How does a writer, a researcher, an artist, or a musician know when a piece of work is finished? And...
The Empty Gallery Interviews was a series of live conversations held with exhibitors ahead of their ...
In reference to Yves-Alain Bois and Rosalind Krauss in Formless: A User's Guide, 1997, which maps o...
Stephen Conn, Do Museums Still Need Objects?, Philadelphia: University of Pennsylvania Press, 2010, ...
The creative artefact is an artist’s book issued in an edition of 1000. Through making a series ...
A review article of three separate books by Stephen Conn, Charlotte Klonck and Christopher Whitehead...
Framed by the theoretical concepts of assemblage and desire from philosopher Gilles Deleuze, and his...
The exhibition will explore the working relationship between making, materiality and thinking, how i...
By locating his thinking and artistic practice within the context of ‘performing’ (as opposed to te...
Void is a proposed exhibition that collects modern and contemporary artworks that surround the idea ...
Conversations about Everything is based on a three way conversation about a performative educational...
Group exhibition at Tenderpixel, London 27 June - 26 July, 2014 Cathy Haynes, Fay Nicolson, Kent...
The blank page represents a void, an open area of space that holds the potential for architecture. T...
One and One and One is a group exhibition in two parts: One and One and One, CGP Gallery, London, Se...
One and One and One is a group exhibition in two parts: One and One and One, CGP Gallery, London, Se...
How does a writer, a researcher, an artist, or a musician know when a piece of work is finished? And...