This provocation explores the issue of impact and KE on the use of Practice as Research in interdisciplinary research. I argue that the KE and Impact turn has resulted in the ‘arts’ part of arts and humanities research being met by the use of arts to disseminate research findings or to develop participatory modes of research. This risks the place of practice as research in interdisciplinary research teams. Full text HTML PD
This contribution is deliberately intended as a provocation and questions the ways in which knowledg...
The paper seeks to unpick and examine a number of related claims for the role of the arts or, more s...
Practice-led research is inherently interdisciplinary, with practitioners engaging with a range of k...
This provocation explores the issue of impact and KE on the use of Practice as Research in interdisc...
This article begins with a brief history of the emergence of Practice as Research (PaR) noting difer...
This article begins with a brief history of the emergence of Practice as Research (PaR) noting difer...
In this letter from the editors of PARtake we approach the question: Why Performance as Research? Th...
Since the 1990s, two related but distinct movements have influenced the way in which scholars of ear...
This is the peer reviewed version of the following article: Grennan, S. (2015). Arts Practice and Re...
Artistic research output struggles for recognition as ‘legitimate’ research within the highly compet...
In this article I discuss a topic that is emerging as a valuable paradigm for creative practitioners...
Applied theatre practice as research might be perceived as a curious conflation. Not greatly foregro...
2013; ISBN 9781137282903 (£18.99) The methodological openness of practice as research (PaR) is argua...
The central research inquiry of this dissertation is how the experience of working within a collabor...
This article reflects on the worth of the arts in an academic context partly in the light of the aut...
This contribution is deliberately intended as a provocation and questions the ways in which knowledg...
The paper seeks to unpick and examine a number of related claims for the role of the arts or, more s...
Practice-led research is inherently interdisciplinary, with practitioners engaging with a range of k...
This provocation explores the issue of impact and KE on the use of Practice as Research in interdisc...
This article begins with a brief history of the emergence of Practice as Research (PaR) noting difer...
This article begins with a brief history of the emergence of Practice as Research (PaR) noting difer...
In this letter from the editors of PARtake we approach the question: Why Performance as Research? Th...
Since the 1990s, two related but distinct movements have influenced the way in which scholars of ear...
This is the peer reviewed version of the following article: Grennan, S. (2015). Arts Practice and Re...
Artistic research output struggles for recognition as ‘legitimate’ research within the highly compet...
In this article I discuss a topic that is emerging as a valuable paradigm for creative practitioners...
Applied theatre practice as research might be perceived as a curious conflation. Not greatly foregro...
2013; ISBN 9781137282903 (£18.99) The methodological openness of practice as research (PaR) is argua...
The central research inquiry of this dissertation is how the experience of working within a collabor...
This article reflects on the worth of the arts in an academic context partly in the light of the aut...
This contribution is deliberately intended as a provocation and questions the ways in which knowledg...
The paper seeks to unpick and examine a number of related claims for the role of the arts or, more s...
Practice-led research is inherently interdisciplinary, with practitioners engaging with a range of k...