Add to ORKGIn this letter from the editors of PARtake we approach the question: Why Performance as Research? The intention of this piece of writing is to open up a continuing conversation about methodology and validity of PAR in the United States and worldwide. We hope to invite practitioners and scholars to engage in the terminology of the scholartist
This editorial introduces Volume 2, Issue 1 of Performance Philosophy, including articles that respo...
Research publication is one of the threshold concepts of research practice, and therefore of teachin...
Editorial for a special issue of Theatre, Dance and Performance Training, dedicated to training for ...
This provocation explores the issue of impact and KE on the use of Practice as Research in interdisc...
Since the 1990s, two related but distinct movements have influenced the way in which scholars of ear...
"Performance as Research (PaR) is characterised by an extraordinary elasticity and interdisciplinary...
John Croft’s article ‘Composition is not Research’ challenges a conception and ideal of compositiona...
Research publication is one of the core factors of research practice. From the Medieval studia gener...
Research publication is one of the core factors of research practice. From the Medieval studia gener...
This contribution is deliberately intended as a provocation and questions the ways in which knowledg...
This article begins with a brief history of the emergence of Practice as Research (PaR) noting difer...
This article begins with a brief history of the emergence of Practice as Research (PaR) noting difer...
Co-editorship of issue; editorial pp.iii-v; entry on ‘Weather’ pp.142-4. This outcome emerges fr...
Co-editorship of issue; editorial pp.iii-v; entry on ‘Weather’ pp.142-4. \ud \ud This outcome emerge...
Researchers in the arts, media and design often struggle to find serviceable methodologies wi...
This editorial introduces Volume 2, Issue 1 of Performance Philosophy, including articles that respo...
Research publication is one of the threshold concepts of research practice, and therefore of teachin...
Editorial for a special issue of Theatre, Dance and Performance Training, dedicated to training for ...
This provocation explores the issue of impact and KE on the use of Practice as Research in interdisc...
Since the 1990s, two related but distinct movements have influenced the way in which scholars of ear...
"Performance as Research (PaR) is characterised by an extraordinary elasticity and interdisciplinary...
John Croft’s article ‘Composition is not Research’ challenges a conception and ideal of compositiona...
Research publication is one of the core factors of research practice. From the Medieval studia gener...
Research publication is one of the core factors of research practice. From the Medieval studia gener...
This contribution is deliberately intended as a provocation and questions the ways in which knowledg...
This article begins with a brief history of the emergence of Practice as Research (PaR) noting difer...
This article begins with a brief history of the emergence of Practice as Research (PaR) noting difer...
Co-editorship of issue; editorial pp.iii-v; entry on ‘Weather’ pp.142-4. This outcome emerges fr...
Co-editorship of issue; editorial pp.iii-v; entry on ‘Weather’ pp.142-4. \ud \ud This outcome emerge...
Researchers in the arts, media and design often struggle to find serviceable methodologies wi...
This editorial introduces Volume 2, Issue 1 of Performance Philosophy, including articles that respo...
Research publication is one of the threshold concepts of research practice, and therefore of teachin...
Editorial for a special issue of Theatre, Dance and Performance Training, dedicated to training for ...