This article argues that the ethical force of Trinidadian Sam Selvon’s creative writings comes from the particular configuration of living together that he is interested in, both in his Trinidadian novels and his London ones. It reads examples of this living together alongside and in difference that emerges through his focus on the relations between neighbours, friends and lovers, rather than the kinship relations of family. It argues that his works thereby map horizontal zones of attachment and possible solidarities across groupings that reconfigure vertically inscribed genealogical paradigms of belonging to place and each other based on models of historical continuity and inheritance
I can\u27t remember when Sam started to contribute to Caribbean Voices, but it was just after the en...
This chapter argues that Sam Selvon's short story sequence "Ways of Sunlight" (1957) pioneered a spe...
In this essay I examine three artworks featured in this issue: Chris Charteris’s Te ma; Maile Andr...
This article argues that the ethical force of Trinidadian Sam Selvon's creative writings comes from ...
The thesis aims to analyse Sam Selvon's fiction between 1950 and 1990 in relation to the colonial su...
Confining Country, Confining City: Real and Imaginary Places in the Work of Sam Selvon Throughout t...
In an attempt, to use the author\u27s own words, \u27to project my part of the world onto the map be...
Essay included in Journal of Foreign Languages and CulturesLiminality theory remains underused in di...
When I come back here to Trinidad, I hear the kiskidee in the morning. You can identify yourself wit...
Situated opposite the mouth of the Orinoco River, western Trinidad has long been considered an entre...
The eponymous hero of Sam Selvon\u27s Moses Ascending (1975), an east Indian from Trinidad, buys a t...
Although a sense of the need to migrate clearly affected early writers born in the Caribbean such as...
In the following essay I intend to consider the issues of the search for an authentic expression in ...
This is but a short note in appreciation of Samuel Selvon\u27s achievement as an imaginative writer....
This paper offers a comparative reading of Sam Selvon’s A Brighter Sun, Shani Mootoo's He Drown She ...
I can\u27t remember when Sam started to contribute to Caribbean Voices, but it was just after the en...
This chapter argues that Sam Selvon's short story sequence "Ways of Sunlight" (1957) pioneered a spe...
In this essay I examine three artworks featured in this issue: Chris Charteris’s Te ma; Maile Andr...
This article argues that the ethical force of Trinidadian Sam Selvon's creative writings comes from ...
The thesis aims to analyse Sam Selvon's fiction between 1950 and 1990 in relation to the colonial su...
Confining Country, Confining City: Real and Imaginary Places in the Work of Sam Selvon Throughout t...
In an attempt, to use the author\u27s own words, \u27to project my part of the world onto the map be...
Essay included in Journal of Foreign Languages and CulturesLiminality theory remains underused in di...
When I come back here to Trinidad, I hear the kiskidee in the morning. You can identify yourself wit...
Situated opposite the mouth of the Orinoco River, western Trinidad has long been considered an entre...
The eponymous hero of Sam Selvon\u27s Moses Ascending (1975), an east Indian from Trinidad, buys a t...
Although a sense of the need to migrate clearly affected early writers born in the Caribbean such as...
In the following essay I intend to consider the issues of the search for an authentic expression in ...
This is but a short note in appreciation of Samuel Selvon\u27s achievement as an imaginative writer....
This paper offers a comparative reading of Sam Selvon’s A Brighter Sun, Shani Mootoo's He Drown She ...
I can\u27t remember when Sam started to contribute to Caribbean Voices, but it was just after the en...
This chapter argues that Sam Selvon's short story sequence "Ways of Sunlight" (1957) pioneered a spe...
In this essay I examine three artworks featured in this issue: Chris Charteris’s Te ma; Maile Andr...