Add to ORKGThis is but a short note in appreciation of Samuel Selvon\u27s achievement as an imaginative writer. Few writers in the West Indies are as loved and regarded as he is by the common people for his humane and creative spirit
This article argues that the ethical force of Trinidadian Sam Selvon's creative writings comes from ...
Confining Country, Confining City: Real and Imaginary Places in the Work of Sam Selvon Throughout t...
I cannot remember how old those Sundays were and if the sun had travelled already over the Observati...
In an attempt, to use the author\u27s own words, \u27to project my part of the world onto the map be...
When I come back here to Trinidad, I hear the kiskidee in the morning. You can identify yourself wit...
The eponymous hero of Sam Selvon\u27s Moses Ascending (1975), an east Indian from Trinidad, buys a t...
I can\u27t remember when Sam started to contribute to Caribbean Voices, but it was just after the en...
The Winter 1960 issue of the Tamarack Review, devoted to West Indian writing, opened with Sam Selvon...
The terms \u27vision\u27 and \u27form\u27 are central in this topic, and so it is appropriate to sta...
In A Bewitched Crossroad, Bessie Head combines the concerns of the historian with those of the novel...
Long before I read the novels of Sam Selvon or even met him, his reputation as a young promising wri...
This article argues that the ethical force of Trinidadian Sam Selvon’s creative writings comes from ...
The thesis aims to analyse Sam Selvon's fiction between 1950 and 1990 in relation to the colonial su...
Although a sense of the need to migrate clearly affected early writers born in the Caribbean such as...
With that loping stoop you bore down on me like an eagle (as I imagined one) and asked me to write s...
This article argues that the ethical force of Trinidadian Sam Selvon's creative writings comes from ...
Confining Country, Confining City: Real and Imaginary Places in the Work of Sam Selvon Throughout t...
I cannot remember how old those Sundays were and if the sun had travelled already over the Observati...
In an attempt, to use the author\u27s own words, \u27to project my part of the world onto the map be...
When I come back here to Trinidad, I hear the kiskidee in the morning. You can identify yourself wit...
The eponymous hero of Sam Selvon\u27s Moses Ascending (1975), an east Indian from Trinidad, buys a t...
I can\u27t remember when Sam started to contribute to Caribbean Voices, but it was just after the en...
The Winter 1960 issue of the Tamarack Review, devoted to West Indian writing, opened with Sam Selvon...
The terms \u27vision\u27 and \u27form\u27 are central in this topic, and so it is appropriate to sta...
In A Bewitched Crossroad, Bessie Head combines the concerns of the historian with those of the novel...
Long before I read the novels of Sam Selvon or even met him, his reputation as a young promising wri...
This article argues that the ethical force of Trinidadian Sam Selvon’s creative writings comes from ...
The thesis aims to analyse Sam Selvon's fiction between 1950 and 1990 in relation to the colonial su...
Although a sense of the need to migrate clearly affected early writers born in the Caribbean such as...
With that loping stoop you bore down on me like an eagle (as I imagined one) and asked me to write s...
This article argues that the ethical force of Trinidadian Sam Selvon's creative writings comes from ...
Confining Country, Confining City: Real and Imaginary Places in the Work of Sam Selvon Throughout t...
I cannot remember how old those Sundays were and if the sun had travelled already over the Observati...