Yu Dafu's Literary Artistic Theory in Malaysia

时至今日，学术界对郁达夫文艺思想的专门性研究，与对他的小说、散文、旧体诗词的研究相比，显得较为薄弱。本文认为郁达夫的文艺思想，大致可分成三个时期：他前期强调文学的主体性和独立性，中期在唯美与现实之间徘徊，后期明显倡导现实主义文艺理论。郁达夫的文艺思想的转变令许多学者困惑不解或为之遗憾。他前期“主情”的文艺思想已成为研究者关注的焦点并褒扬有加；但他后期直面现实的文艺思想却少有问津。 文学有审美作用，也有现实作用。创作主体要受特定的时代环境的制约与影响，又要求具有独创性天赋。本文在学习不同时期郁达夫文艺观的研究成果基础上，重点研究郁达夫新马时期的文艺思想及其产生的原因，并就郁达夫文论对新马文艺的...Abstract Up to now, it is relatively weak in the specialized research of Yu Dafu’s literature and art thinking, compared with the study for his novels, essays, and his classic poetry. This paper is on Yu Dafu's literary theory, which can be broadly divided into three periods: the early period stressing his main literary and independence, the mid period centering on the aesthetic and practical fu...学位：文学硕士院系专业：人文学院中文系_文艺学学号：X200510101