This thesis considers New Zealand television’s public sphere role, by analysing three television programmes in terms of how they enable the exercise of power or resistance. The programmes 7 Days, Campbell Live, and Shortland Street were used as case studies of typical public sphere spaces that are available to the New Zealand public. These programmes were analysed in terms of Foucault’s concepts of power and resistance as active exercises that are present in all interrelations. The research found that the programmes were sites of both the exercising of power and the possibility of resistance, as they each worked to circulate competing discourses that subjects could take up to reinforce existing power structures or to resist the exercise of ...
“We need the angry buzz of current affairs programmes” (Professor Sylvia Harvey in Holland, 2006, p....
At this moment in New Zealand’s history there is a need for healthy political debate on a range of i...
This thesis explores the expansion of British television in the 1950s and 1960s and its relationship...
This thesis considers New Zealand television’s public sphere role, by analysing three television pro...
This thesis considers New Zealand television’s public sphere role, by analysing three television pro...
This article considers TVNZ's audience discussion programme, State of the Nation, as a moment o...
The point of departure for this thesis is the approach to television studies first developed in Read...
The thesis is a sociological case-study of the two-channel television system in New Zealand from its...
The paper presented here is intended to provide an overview of some of the themes and issues linking...
This thesis examines the cultural development of New Zealand state broadcasting and proposes a new i...
There is a long critical literature about popular television's role in the public sphere of modern s...
The Māori Television Service (MTS) is described as New Zealand's Indigenous broadcaster. Since its l...
This paper will look at the changing face of current affairs television programmes in New Zealand fr...
This thesis argues for an analysis of popular television in relation to the dominant political\ud id...
This paper interrogates what we believe is an increasingly urgent task: to think about ways of revit...
“We need the angry buzz of current affairs programmes” (Professor Sylvia Harvey in Holland, 2006, p....
At this moment in New Zealand’s history there is a need for healthy political debate on a range of i...
This thesis explores the expansion of British television in the 1950s and 1960s and its relationship...
This thesis considers New Zealand television’s public sphere role, by analysing three television pro...
This thesis considers New Zealand television’s public sphere role, by analysing three television pro...
This article considers TVNZ's audience discussion programme, State of the Nation, as a moment o...
The point of departure for this thesis is the approach to television studies first developed in Read...
The thesis is a sociological case-study of the two-channel television system in New Zealand from its...
The paper presented here is intended to provide an overview of some of the themes and issues linking...
This thesis examines the cultural development of New Zealand state broadcasting and proposes a new i...
There is a long critical literature about popular television's role in the public sphere of modern s...
The Māori Television Service (MTS) is described as New Zealand's Indigenous broadcaster. Since its l...
This paper will look at the changing face of current affairs television programmes in New Zealand fr...
This thesis argues for an analysis of popular television in relation to the dominant political\ud id...
This paper interrogates what we believe is an increasingly urgent task: to think about ways of revit...
“We need the angry buzz of current affairs programmes” (Professor Sylvia Harvey in Holland, 2006, p....
At this moment in New Zealand’s history there is a need for healthy political debate on a range of i...
This thesis explores the expansion of British television in the 1950s and 1960s and its relationship...