“We need the angry buzz of current affairs programmes” (Professor Sylvia Harvey in Holland, 2006, p. iv). “In a public system, television producers acquire money to make programmes. In a commercial system they make programmes to acquire money” (Tracey, 1998, p.18). Television current affairs programmes have from their inception been a flagship genre in the schedules of public service broadcasters. As a television form they were to background, contextualise and examine in depth issues which may have appeared in the news. They clearly met the public broadcasters' brief to 'inform and educate' and contribute to the notional 'public sphere'. Over the past two decades policies of deregulation and the impact of new media technologies have a...
This thesis considers New Zealand television’s public sphere role, by analysing three television pro...
The thesis is a sociological case-study of the two-channel television system in New Zealand from its...
This thesis considers New Zealand television’s public sphere role, by analysing three television pro...
“We need the angry buzz of current affairs programmes” (Professor Sylvia Harvey in Holland, 2006, p....
This article explores New Zealand current affairs programmes from a critical political economy persp...
This paper will explore the changing face of current affairs programmes in three countries, New Zeal...
This paper will look at the changing face of current affairs television programmes in New Zealand fr...
The paper presented here is intended to provide an overview of some of the themes and issues linking...
New Zealand’s state-owned broadcasting has been restructured so many times that former Broadcasting ...
Following the 1989 Broadcasting Act, New Zealand was regarded as indicating the consequences likely ...
The research for this thesis started just before the TVNZ Charter was released in 2001. It followed ...
This paper interrogates what we believe is an increasingly urgent task: to think about ways of revit...
This thesis examines the cultural development of New Zealand state broadcasting and proposes a new i...
The freedom to provide a wide range of content from diverse sources allows the media to fulfil its r...
Examines the state of current affairs television in Australia today by pondering the future, while d...
This thesis considers New Zealand television’s public sphere role, by analysing three television pro...
The thesis is a sociological case-study of the two-channel television system in New Zealand from its...
This thesis considers New Zealand television’s public sphere role, by analysing three television pro...
“We need the angry buzz of current affairs programmes” (Professor Sylvia Harvey in Holland, 2006, p....
This article explores New Zealand current affairs programmes from a critical political economy persp...
This paper will explore the changing face of current affairs programmes in three countries, New Zeal...
This paper will look at the changing face of current affairs television programmes in New Zealand fr...
The paper presented here is intended to provide an overview of some of the themes and issues linking...
New Zealand’s state-owned broadcasting has been restructured so many times that former Broadcasting ...
Following the 1989 Broadcasting Act, New Zealand was regarded as indicating the consequences likely ...
The research for this thesis started just before the TVNZ Charter was released in 2001. It followed ...
This paper interrogates what we believe is an increasingly urgent task: to think about ways of revit...
This thesis examines the cultural development of New Zealand state broadcasting and proposes a new i...
The freedom to provide a wide range of content from diverse sources allows the media to fulfil its r...
Examines the state of current affairs television in Australia today by pondering the future, while d...
This thesis considers New Zealand television’s public sphere role, by analysing three television pro...
The thesis is a sociological case-study of the two-channel television system in New Zealand from its...
This thesis considers New Zealand television’s public sphere role, by analysing three television pro...