Discusses J. Lacan's (1978) psychoanalytic work on the Gaze as it applies to Alain Robbe-Grillet's novel, The Voyeur. The voyeur wants to master a real situation of desire by seeing everything from a sequestered, secret place but does not want to acknowledge that seeing involves an already being-seen within the circuit of signification. The Gaze as consciousness pretends to be transparent to itself but is actually constructed around a misperception of fullness and self-identity. The end result is an ambiguity between what is real and what is not, a trick of the eye. The trick of the eye for the voyeur is the substitution of looking in place of actually participating in the act of desire and not knowing that this creates something unreal
In the 1950s Jacques Lacan developed a set-up with a concave mirror and a plane mirror, based on whi...
Academic research on the gaze has been widely criticised within visual art in recent years. This a r...
Taking as starting points the books The Address of the Eye: A Phenomenology of Film Experience, by V...
To understand Lacan's thinking process on vision, the entirety of his teaching must be taken into co...
The concept of the "gaze" is a trope that frequently manifests itself in Postmodern poetry especiall...
Among the numerous references to philosophy that permeate its narrative universe, Lost seems to be p...
The object of desire in James\u27s fiction is an ironic construct designed to expose the inevitable ...
Although a number of researchers have interpreted what J. Lacan had said about vision, most of their...
Though Beckett’s name is closely associated with fiction and drama in the world of contemporary art ...
Film theorists typically conceptualize the gaze in film in terms of power and mastery. However, usin...
This practice-based research explores how photographic representation mobilises desire through the g...
The third category of the psyche in Lacanian psychoanalysis is the real (réel), which is neither ima...
This article aims to join the contemporary effort to promote a psychoanalytic renaissance within cin...
The critique of psychoanalysis by late Foucault discretely opens up the possibility of a paradoxical...
Literary criticism and psychoanalysis have been rather blind to the eye. And yet, if the unconscious...
In the 1950s Jacques Lacan developed a set-up with a concave mirror and a plane mirror, based on whi...
Academic research on the gaze has been widely criticised within visual art in recent years. This a r...
Taking as starting points the books The Address of the Eye: A Phenomenology of Film Experience, by V...
To understand Lacan's thinking process on vision, the entirety of his teaching must be taken into co...
The concept of the "gaze" is a trope that frequently manifests itself in Postmodern poetry especiall...
Among the numerous references to philosophy that permeate its narrative universe, Lost seems to be p...
The object of desire in James\u27s fiction is an ironic construct designed to expose the inevitable ...
Although a number of researchers have interpreted what J. Lacan had said about vision, most of their...
Though Beckett’s name is closely associated with fiction and drama in the world of contemporary art ...
Film theorists typically conceptualize the gaze in film in terms of power and mastery. However, usin...
This practice-based research explores how photographic representation mobilises desire through the g...
The third category of the psyche in Lacanian psychoanalysis is the real (réel), which is neither ima...
This article aims to join the contemporary effort to promote a psychoanalytic renaissance within cin...
The critique of psychoanalysis by late Foucault discretely opens up the possibility of a paradoxical...
Literary criticism and psychoanalysis have been rather blind to the eye. And yet, if the unconscious...
In the 1950s Jacques Lacan developed a set-up with a concave mirror and a plane mirror, based on whi...
Academic research on the gaze has been widely criticised within visual art in recent years. This a r...
Taking as starting points the books The Address of the Eye: A Phenomenology of Film Experience, by V...