Recent scholarship has challenged the assumptions that neither colonial Americans nor European microscopists contributed to science during the eighteenth century. Moving away from earlier attitudes and utilising new sources of information, scholars are now establishing that Europeans used microscopes as scientific tools during the eighteenth century and that colonial Americans contributed significantly to the various branches of natural history. These as yet separate developments are brought together in the thesis, which argues that eighteenth-century microscopes and texts moved across the Atlantic Ocean from London to colonial settlements, and that they were used by colonials as part of scientific investigations of plants and insects, as w...
The relationship between printed books, manuscripts and specimens dominated the practice of natural ...
In the first decades of the nineteenth century, Americans established institutions of science that c...
Botanical spaces and their visual representations fascinated British viewing publics, particularly i...
Recent scholarship has challenged the assumptions that neither colonial Americans nor European micro...
While historians of the microscope currently consider that no programme of microscopy took place dur...
While historians of the microscope currently consider that no systematic programme of microscopy too...
Famous for his discovery on hydra, Abraham Trembley was also much interested in the devices he used ...
Pagination differs from hardbound copy of thesis held at Cambridge University Library.Many histories...
The microscope is undoubtedly one of the greatest inventions that men have ever made. The use of len...
As North American plants took root in Parisian botanical gardens and regularly appeared in scientifi...
For many years I have maintained that staff and students in Schools of Art have ";missed out"; in ga...
We are come ashore into a new World,” declared seventeenth-century naturalist Nehemiah Grew in the d...
This dissertation explores the making of natural historical knowledge in late-eighteenth and early- ...
This dissertation analyzes a type of knowledge that I call “lived botany” to argue that colonial set...
Science formed an important element of Anglo-American life throughout the eighteenth century, and no...
The relationship between printed books, manuscripts and specimens dominated the practice of natural ...
In the first decades of the nineteenth century, Americans established institutions of science that c...
Botanical spaces and their visual representations fascinated British viewing publics, particularly i...
Recent scholarship has challenged the assumptions that neither colonial Americans nor European micro...
While historians of the microscope currently consider that no programme of microscopy took place dur...
While historians of the microscope currently consider that no systematic programme of microscopy too...
Famous for his discovery on hydra, Abraham Trembley was also much interested in the devices he used ...
Pagination differs from hardbound copy of thesis held at Cambridge University Library.Many histories...
The microscope is undoubtedly one of the greatest inventions that men have ever made. The use of len...
As North American plants took root in Parisian botanical gardens and regularly appeared in scientifi...
For many years I have maintained that staff and students in Schools of Art have ";missed out"; in ga...
We are come ashore into a new World,” declared seventeenth-century naturalist Nehemiah Grew in the d...
This dissertation explores the making of natural historical knowledge in late-eighteenth and early- ...
This dissertation analyzes a type of knowledge that I call “lived botany” to argue that colonial set...
Science formed an important element of Anglo-American life throughout the eighteenth century, and no...
The relationship between printed books, manuscripts and specimens dominated the practice of natural ...
In the first decades of the nineteenth century, Americans established institutions of science that c...
Botanical spaces and their visual representations fascinated British viewing publics, particularly i...