The priest Don Manuel Sánchez Molina, choir chaplain at the church of Son Bartolomé, is identified not only as Francisco Salzillo's master of drawing, but also as painter and valuer of paintings and sculptures, what is a sign of the great prestige he had to have in his time. His religious paintings, unfortrrnately scarce nowadays, were very estimated, as his works were destinated to altarpieces by Pablo Sistori. Probably, he also cultivated portrait.The priest Don Manuel Sánchez Molina, choir chaplain at the church of Son Bartolomé, is identified not only as Francisco Salzillo's master of drawing, but also as painter and valuer of paintings and sculptures, what is a sign of the great prestige he had to have in his time. His religious painti...
En este trabajo se traza un perfil biográfico de don Luis de Guzmán y Soto, contador mayor del duqu...
Big workshops, by their very essence, obscure the hand of the individual artists. Pedro Perez’s cont...
Copia digital. Valladolid : Junta de Castilla y León. Consejería de Cultura y Turismo, 201
The documented production of Francisco Salzillo and of the members of his school is analysed in the ...
A main subject for scholars interested in Francisco Salzillo has always been the search for the scul...
The 17th century was the beginning of a long setting of highly skilled religious sculptors in Murcia...
Early records on Inés Salzillo (1717-1775), youngest sister of Francisco Salzillo, confirm that she ...
El Martiri de Sant Bernat, María i Gràcia, propiedad del Museu Municipal d’Alzira (MUMA), es un óle...
Starting from a formal analysis of some of Salzillo's later works, and comparing them with others of...
This paper discusses a series of items related to the altarpieces painted in Genoa by the Italian ar...
Bartolomé Esteban Murillo fue el autor de una serie de cuatro lienzos con escenas de la vida de San ...
The sculptor named José Sánchez Lozano, 1904-1999, was born between Murcia and Alicante, versatile s...
El Maestro Bartolomé es uno de los más característicos representantes en Castilla de la llamada pint...
The scatological landscapes of the Saint Barbara altarpiece in the Malaga Cathedral support the hypo...
La Virgen de los Dolores de la villa alicantina de Dolores (Alicante), una de las fundaciones pías d...
En este trabajo se traza un perfil biográfico de don Luis de Guzmán y Soto, contador mayor del duqu...
Big workshops, by their very essence, obscure the hand of the individual artists. Pedro Perez’s cont...
Copia digital. Valladolid : Junta de Castilla y León. Consejería de Cultura y Turismo, 201
The documented production of Francisco Salzillo and of the members of his school is analysed in the ...
A main subject for scholars interested in Francisco Salzillo has always been the search for the scul...
The 17th century was the beginning of a long setting of highly skilled religious sculptors in Murcia...
Early records on Inés Salzillo (1717-1775), youngest sister of Francisco Salzillo, confirm that she ...
El Martiri de Sant Bernat, María i Gràcia, propiedad del Museu Municipal d’Alzira (MUMA), es un óle...
Starting from a formal analysis of some of Salzillo's later works, and comparing them with others of...
This paper discusses a series of items related to the altarpieces painted in Genoa by the Italian ar...
Bartolomé Esteban Murillo fue el autor de una serie de cuatro lienzos con escenas de la vida de San ...
The sculptor named José Sánchez Lozano, 1904-1999, was born between Murcia and Alicante, versatile s...
El Maestro Bartolomé es uno de los más característicos representantes en Castilla de la llamada pint...
The scatological landscapes of the Saint Barbara altarpiece in the Malaga Cathedral support the hypo...
La Virgen de los Dolores de la villa alicantina de Dolores (Alicante), una de las fundaciones pías d...
En este trabajo se traza un perfil biográfico de don Luis de Guzmán y Soto, contador mayor del duqu...
Big workshops, by their very essence, obscure the hand of the individual artists. Pedro Perez’s cont...
Copia digital. Valladolid : Junta de Castilla y León. Consejería de Cultura y Turismo, 201