A main subject for scholars interested in Francisco Salzillo has always been the search for the sculptor's iconographical sources, and particularly for models and relations concerning the Oración del huerto. We notice important resemblances between the angel of chis group and the image of Icarus in a painting imputed to Jan van Boeckhorst at Schleissheim Castle, in Munich. It is quite possible that Salzillo took into account a picture of that painting when he conceived the angel.A main subject for scholars interested in Francisco Salzillo has always been the search for the sculptor's iconographical sources, and particularly for models and relations concerning the Oración del huerto. We notice important resemblances between the angel of chis...
Nuestro estudio se basa en el “Juicio particular de Felipe IV”, obra que se encuentra ubicada en la ...
Conjugar el hacia las ideas, incluso la fe, y el rigor científico en un estudio iconológico e iconog...
L'article correspon a una ponència presentada a: II Coloquios de Iconografía, 31 de mayo-2 de junio ...
The documented production of Francisco Salzillo and of the members of his school is analysed in the ...
La Virgen de los Dolores de la villa alicantina de Dolores (Alicante), una de las fundaciones pías d...
Scholarly works on Salzillo's crih have concentrated primarily on the figures only touching on the a...
Starting from a formal analysis of some of Salzillo's later works, and comparing them with others of...
The priest Don Manuel Sánchez Molina, choir chaplain at the church of Son Bartolomé, is identified n...
La formación italiana de Luis de Vargas con Perino del Vaga es uno de los aspectos a los que recient...
The 17th century was the beginning of a long setting of highly skilled religious sculptors in Murcia...
Early records on Inés Salzillo (1717-1775), youngest sister of Francisco Salzillo, confirm that she ...
Strongly tien to the figure of Francisco Salzillo (1707-1783). A well-know fugure in the world of sc...
The Salzillo Museum in Murcia is one of the most important museums in Spanish Levant. Although not f...
The sculptor named José Sánchez Lozano, 1904-1999, was born between Murcia and Alicante, versatile s...
Por tercera vez aborda el profesor Santiago Sebastián, reconocido impulsor de los estudios de Iconog...
Nuestro estudio se basa en el “Juicio particular de Felipe IV”, obra que se encuentra ubicada en la ...
Conjugar el hacia las ideas, incluso la fe, y el rigor científico en un estudio iconológico e iconog...
L'article correspon a una ponència presentada a: II Coloquios de Iconografía, 31 de mayo-2 de junio ...
The documented production of Francisco Salzillo and of the members of his school is analysed in the ...
La Virgen de los Dolores de la villa alicantina de Dolores (Alicante), una de las fundaciones pías d...
Scholarly works on Salzillo's crih have concentrated primarily on the figures only touching on the a...
Starting from a formal analysis of some of Salzillo's later works, and comparing them with others of...
The priest Don Manuel Sánchez Molina, choir chaplain at the church of Son Bartolomé, is identified n...
La formación italiana de Luis de Vargas con Perino del Vaga es uno de los aspectos a los que recient...
The 17th century was the beginning of a long setting of highly skilled religious sculptors in Murcia...
Early records on Inés Salzillo (1717-1775), youngest sister of Francisco Salzillo, confirm that she ...
Strongly tien to the figure of Francisco Salzillo (1707-1783). A well-know fugure in the world of sc...
The Salzillo Museum in Murcia is one of the most important museums in Spanish Levant. Although not f...
The sculptor named José Sánchez Lozano, 1904-1999, was born between Murcia and Alicante, versatile s...
Por tercera vez aborda el profesor Santiago Sebastián, reconocido impulsor de los estudios de Iconog...
Nuestro estudio se basa en el “Juicio particular de Felipe IV”, obra que se encuentra ubicada en la ...
Conjugar el hacia las ideas, incluso la fe, y el rigor científico en un estudio iconológico e iconog...
L'article correspon a una ponència presentada a: II Coloquios de Iconografía, 31 de mayo-2 de junio ...