As we experience a temporal flux of events our expectations of future events change. Such expectations seem to be central to our perception of affect in music, but we have little understanding of how expectations change as recent information is integrated. When music establishes a pitch centre (tonality), we rapidly learn to anticipate its continuation. What happens when anticipations are challenged by new events? Here we show that providing a melodic challenge to an established tonality leads to progressive changes in the impact of the features of the stimulus on listeners' expectations. The results demonstrate that retrospective analysis of recent events can establish new patterns of expectation that converge towards probabilistic interpr...
Abstract Following in a psychological and musicological tradition beginning with Leonard Meyer, and ...
Dynamic Attending Theory (DAT) dictates that temporal expectancies are formed when attention becomes...
Almost every facet of the experience of musical listening—from pitch, to rhythm, to the experience o...
As we experience a temporal flux of events our expectations of future events change. Such expectatio...
Abstract Two experiments explored the relation between melodic expectancy and melodic memory. In Exp...
Listeners' expectations for melodies and harmonies in tonal music are perhaps the most studied aspec...
Expectation is crucial for our enjoyment of music, yet the underlying generative mechanisms remain u...
Listeners' expectations for melodies and harmonies in tonal music are perhaps the most studied aspec...
Listeners' expectations for melodies and harmonies in tonal music are perhaps the most studied aspec...
Like discourse, music is a dynamic process that occurs over time. Listeners usually expect some even...
The ability to anticipate forthcoming events has clear evolutionary advantages, and predictive succe...
With Western, tonal music, the expectedness of any given note or chord can be estimated using variou...
With Western, tonal music, the expectedness of any given note or chord can be estimated using variou...
The ability to anticipate forthcoming events has clear evolutionary advantages, and predictive succe...
With Western, tonal music, the expectedness of any given note or chord can be estimated using variou...
Abstract Following in a psychological and musicological tradition beginning with Leonard Meyer, and ...
Dynamic Attending Theory (DAT) dictates that temporal expectancies are formed when attention becomes...
Almost every facet of the experience of musical listening—from pitch, to rhythm, to the experience o...
As we experience a temporal flux of events our expectations of future events change. Such expectatio...
Abstract Two experiments explored the relation between melodic expectancy and melodic memory. In Exp...
Listeners' expectations for melodies and harmonies in tonal music are perhaps the most studied aspec...
Expectation is crucial for our enjoyment of music, yet the underlying generative mechanisms remain u...
Listeners' expectations for melodies and harmonies in tonal music are perhaps the most studied aspec...
Listeners' expectations for melodies and harmonies in tonal music are perhaps the most studied aspec...
Like discourse, music is a dynamic process that occurs over time. Listeners usually expect some even...
The ability to anticipate forthcoming events has clear evolutionary advantages, and predictive succe...
With Western, tonal music, the expectedness of any given note or chord can be estimated using variou...
With Western, tonal music, the expectedness of any given note or chord can be estimated using variou...
The ability to anticipate forthcoming events has clear evolutionary advantages, and predictive succe...
With Western, tonal music, the expectedness of any given note or chord can be estimated using variou...
Abstract Following in a psychological and musicological tradition beginning with Leonard Meyer, and ...
Dynamic Attending Theory (DAT) dictates that temporal expectancies are formed when attention becomes...
Almost every facet of the experience of musical listening—from pitch, to rhythm, to the experience o...