Add to ORKGAbstract Following in a psychological and musicological tradition beginning with Leonard Meyer, and continuing through David Huron, we present a functional, cognitive account of the phenomenon of expectation in music, grounded in computational, probabilistic modeling. We summarize a range of evidence for this approach, from psychology, neuroscience, musicology, linguistics, and creativity studies, and argue that simulating expectation is an important part of understanding a broad range of human faculties, in music and beyond
Abstract Two experiments explored the relation between melodic expectancy and melodic memory. In Exp...
We develop in this thesis a computational model of music expectation, which may be one of the most i...
Grouping and boundary perception are central to many aspects of sensory processing in cognition. We...
Like discourse, music is a dynamic process that occurs over time. Listeners usually expect some even...
Expectation is crucial for our enjoyment of music, yet the underlying generative mechanisms remain u...
Almost every facet of the experience of musical listening—from pitch, to rhythm, to the experience o...
Research in music cognition domain has shown that non musician listeners have implicit knowledge abo...
Perception is a constructive mental process, which cannot be considered impersonally. Similarly, mus...
Perception is a constructive mental process, which cannot be considered impersonally. Similarly, mus...
The ability to anticipate forthcoming events has clear evolutionary advantages, and predictive succe...
Previous studies of auditory expectation have focused on the expectedness perceived by listeners ret...
As we experience a temporal flux of events our expectations of future events change. Such expectatio...
The formation of contextually dependent expectancies is an important feature of mu-sic cognition. Bo...
As we experience a temporal flux of events our expectations of future events change. Such expectatio...
Western listeners become sensitive to the regularities of the Western tonal system by mere exposure ...
Abstract Two experiments explored the relation between melodic expectancy and melodic memory. In Exp...
We develop in this thesis a computational model of music expectation, which may be one of the most i...
Grouping and boundary perception are central to many aspects of sensory processing in cognition. We...
Like discourse, music is a dynamic process that occurs over time. Listeners usually expect some even...
Expectation is crucial for our enjoyment of music, yet the underlying generative mechanisms remain u...
Almost every facet of the experience of musical listening—from pitch, to rhythm, to the experience o...
Research in music cognition domain has shown that non musician listeners have implicit knowledge abo...
Perception is a constructive mental process, which cannot be considered impersonally. Similarly, mus...
Perception is a constructive mental process, which cannot be considered impersonally. Similarly, mus...
The ability to anticipate forthcoming events has clear evolutionary advantages, and predictive succe...
Previous studies of auditory expectation have focused on the expectedness perceived by listeners ret...
As we experience a temporal flux of events our expectations of future events change. Such expectatio...
The formation of contextually dependent expectancies is an important feature of mu-sic cognition. Bo...
As we experience a temporal flux of events our expectations of future events change. Such expectatio...
Western listeners become sensitive to the regularities of the Western tonal system by mere exposure ...
Abstract Two experiments explored the relation between melodic expectancy and melodic memory. In Exp...
We develop in this thesis a computational model of music expectation, which may be one of the most i...
Grouping and boundary perception are central to many aspects of sensory processing in cognition. We...