Kantha or, as it is increasingly referred to now, nakshi kantha, is an important women’s domestic art of Bengal. Layers of old garments such as saris, lungis and dhotis are stitched into objects of functional, ritual, or ceremonial use. In Bangladesh, kantha was revived as a commercial activity to provide work for women left destitute after the 1971 war. In the mid-1980’s, it was further developed as a public art. One of the key players in this revival was Surayia Rahman, who refined a domestic art, for private use, into fine art, for public display. Initially an artist who painted pictures and designed decorative pieces as well as dolls, Surayia Rahman
An important monthly periodical on the fine arts in Bengal in the first half of the 20th century. Im...
Women are the pioneers of traditional mural art practices in rural India. Warli art, Gond art, and M...
India is home to a multitude of art forms. The rich cultural diversity of India lies at the very roo...
Kantha or, as it is increasingly referred to now, nakshi kantha, is an important women’s domestic ar...
Nakshi kantha is a traditional quilt typical of Bengal, a cultural-historical area in South Asia now...
Indian art history has been evidence to a rich storage of traditional painting and folk narrative fr...
In the contemporary work done by rural patua artisans, an Indian folk art, questions about tradition...
Colonial government's policy with Balinization policy of Bali brings an enormous influence in the de...
Folk art is a form of art which represents the cultural identity of a society, and is made by indivi...
The early twentieth century in Bengal was a time of great social transformation, when many new ways ...
India has long been a focal point of art. From the traditional to the contemporary, India is fast de...
India is a combination of multiple worlds. At a time it lives in many centuries and cultures. The wo...
One of the most remarkable artistic achievements of the Mughal Empire was the emergence in the early...
The tawa’ifs were an elite class of performing community engaged in the production of dance, music, ...
A community of block printers and dyers in the Indian state of Gujarat has concentrated upon produci...
An important monthly periodical on the fine arts in Bengal in the first half of the 20th century. Im...
Women are the pioneers of traditional mural art practices in rural India. Warli art, Gond art, and M...
India is home to a multitude of art forms. The rich cultural diversity of India lies at the very roo...
Kantha or, as it is increasingly referred to now, nakshi kantha, is an important women’s domestic ar...
Nakshi kantha is a traditional quilt typical of Bengal, a cultural-historical area in South Asia now...
Indian art history has been evidence to a rich storage of traditional painting and folk narrative fr...
In the contemporary work done by rural patua artisans, an Indian folk art, questions about tradition...
Colonial government's policy with Balinization policy of Bali brings an enormous influence in the de...
Folk art is a form of art which represents the cultural identity of a society, and is made by indivi...
The early twentieth century in Bengal was a time of great social transformation, when many new ways ...
India has long been a focal point of art. From the traditional to the contemporary, India is fast de...
India is a combination of multiple worlds. At a time it lives in many centuries and cultures. The wo...
One of the most remarkable artistic achievements of the Mughal Empire was the emergence in the early...
The tawa’ifs were an elite class of performing community engaged in the production of dance, music, ...
A community of block printers and dyers in the Indian state of Gujarat has concentrated upon produci...
An important monthly periodical on the fine arts in Bengal in the first half of the 20th century. Im...
Women are the pioneers of traditional mural art practices in rural India. Warli art, Gond art, and M...
India is home to a multitude of art forms. The rich cultural diversity of India lies at the very roo...