Kantha or, as it is increasingly referred to now, nakshi kantha, is an important women’s domestic art of Bengal. Layers of old garments such as saris, lungis and dhotis are stitched into objects of functional, ritual, or ceremonial use. In Bangladesh, kantha was revived as a commercial activity to provide work for women left destitute after the 1971 war. In the mid-1980’s, it was further developed as a public art. One of the key players in this revival was Surayia Rahman, who refined a domestic art, for private use, into fine art, for public display. Initially an artist who painted pictures and designed decorative pieces as well as dolls, Surayia Rahman
The tawa’ifs were an elite class of performing community engaged in the production of dance, music, ...
In the medieval era, the Royal families of Assam, India produced Muga silk fabrics. During the time ...
Dasatangoi is a Persian word for the centuries old, rich tradition of oral storytelling as practiced...
Kantha or, as it is increasingly referred to now, nakshi kantha, is an important women’s domestic ar...
Nakshi kantha is a traditional quilt typical of Bengal, a cultural-historical area in South Asia now...
Monghiben Rabari is attending an exhibition and sale in Mumbai. Her traditional embroidery has taken...
This paper will discuss the still continuous and centuries old skill of “Rafoogari” or the Darning a...
A community of block printers and dyers in the Indian state of Gujarat has concentrated upon produci...
The region of Gujarat in the west has been an important textile export zone of India and remains an ...
In the contemporary work done by rural patua artisans, an Indian folk art, questions about tradition...
Jamdani is one of the optimum muslin textiles of Bengal, produced in Dhaka District, Bangladesh for ...
Monghiben Rabari is attending an exhibition and sale in Mumbai. Her traditional embroidery has taken...
This paper begins an investigation into, the practical, social, spiritual and protective roles of de...
Creating phulkari, an embroidered craft of Punjab, for the market involves a value-chain of people f...
The kediyun is an upper garment worn by men in pastoral communities in Kutch, West India. The garmen...
The tawa’ifs were an elite class of performing community engaged in the production of dance, music, ...
In the medieval era, the Royal families of Assam, India produced Muga silk fabrics. During the time ...
Dasatangoi is a Persian word for the centuries old, rich tradition of oral storytelling as practiced...
Kantha or, as it is increasingly referred to now, nakshi kantha, is an important women’s domestic ar...
Nakshi kantha is a traditional quilt typical of Bengal, a cultural-historical area in South Asia now...
Monghiben Rabari is attending an exhibition and sale in Mumbai. Her traditional embroidery has taken...
This paper will discuss the still continuous and centuries old skill of “Rafoogari” or the Darning a...
A community of block printers and dyers in the Indian state of Gujarat has concentrated upon produci...
The region of Gujarat in the west has been an important textile export zone of India and remains an ...
In the contemporary work done by rural patua artisans, an Indian folk art, questions about tradition...
Jamdani is one of the optimum muslin textiles of Bengal, produced in Dhaka District, Bangladesh for ...
Monghiben Rabari is attending an exhibition and sale in Mumbai. Her traditional embroidery has taken...
This paper begins an investigation into, the practical, social, spiritual and protective roles of de...
Creating phulkari, an embroidered craft of Punjab, for the market involves a value-chain of people f...
The kediyun is an upper garment worn by men in pastoral communities in Kutch, West India. The garmen...
The tawa’ifs were an elite class of performing community engaged in the production of dance, music, ...
In the medieval era, the Royal families of Assam, India produced Muga silk fabrics. During the time ...
Dasatangoi is a Persian word for the centuries old, rich tradition of oral storytelling as practiced...