Adding extra weight to the bridge of a banjo (or violin) is a common strategy for muting the sound. The result is, indeed, a quieter instrument, but this method of muting also increases sustain and yields a more mellow tone. Some examples and measurements with a variable-mass mute are presented. Two very simple models of pieces of the physics offer some understanding of the prominent features --- at least, on average. However, the details of loudness and sustain prove to be complex and subtle, both in terms of physics and perception
A second mylar head is easily fashioned into a horizontal annular flange, inspired by the Bacon and ...
11" D mylar heads over a normal range of tensions (DrumDial 85 to 91) and “open-back” backed pots of...
An internal resonator is fitted to the inside of a resonator banjo. From the perspective of simple a...
Adding extra weight to the bridge of a banjo (or violin) is a common strategy for muting the sound. ...
Basic physics offers some clues about why a given banjo bridge’s sound depends strongly on its tinie...
The banjo’s floating bridge, string break angle, and flexible drumhead all contribute to substantial...
Sound measurements with just a few banjo bridges of matching weights and designs but different wood ...
The geometry of a floating bridge on a drumhead soundboard produces string stretching that is first...
The motion of the floating bridge of the banjo, in conjunction with the break angle of the strings o...
Measurements of vibrational response of an American 5-string banjo and of the sounds of played notes...
The general problem was to study the effect of variations of the violin bridge upon intensity and ti...
A simple experiment quantifies the difference between the sound production of a banjo with and witho...
A previous paper [Woodhouse et al., Acta Acustica 5, 15 (2021) https://doi.org/10.1051/aacus/2021009...
A novel bridge and tailpiece design allows direct comparison of the sound of zero break angle with s...
Among instruments that do not sport explicit sympathetic strings, banjos produce particularly strong...
A second mylar head is easily fashioned into a horizontal annular flange, inspired by the Bacon and ...
11" D mylar heads over a normal range of tensions (DrumDial 85 to 91) and “open-back” backed pots of...
An internal resonator is fitted to the inside of a resonator banjo. From the perspective of simple a...
Adding extra weight to the bridge of a banjo (or violin) is a common strategy for muting the sound. ...
Basic physics offers some clues about why a given banjo bridge’s sound depends strongly on its tinie...
The banjo’s floating bridge, string break angle, and flexible drumhead all contribute to substantial...
Sound measurements with just a few banjo bridges of matching weights and designs but different wood ...
The geometry of a floating bridge on a drumhead soundboard produces string stretching that is first...
The motion of the floating bridge of the banjo, in conjunction with the break angle of the strings o...
Measurements of vibrational response of an American 5-string banjo and of the sounds of played notes...
The general problem was to study the effect of variations of the violin bridge upon intensity and ti...
A simple experiment quantifies the difference between the sound production of a banjo with and witho...
A previous paper [Woodhouse et al., Acta Acustica 5, 15 (2021) https://doi.org/10.1051/aacus/2021009...
A novel bridge and tailpiece design allows direct comparison of the sound of zero break angle with s...
Among instruments that do not sport explicit sympathetic strings, banjos produce particularly strong...
A second mylar head is easily fashioned into a horizontal annular flange, inspired by the Bacon and ...
11" D mylar heads over a normal range of tensions (DrumDial 85 to 91) and “open-back” backed pots of...
An internal resonator is fitted to the inside of a resonator banjo. From the perspective of simple a...