A second mylar head is easily fashioned into a horizontal annular flange, inspired by the Bacon and Dobson tone rings. Its effect is dramatic, suppressing the “ping” associated with the attack sound of metal picks on metal strings on taut mylar heads but leaving most other features unscathed. The flange itself takes only minutes to make. An old or previously torn head can be used. It is installed directly under the regular head, without any further modifications, and, so, can be removed with no harm done
The geometry of a floating bridge on a drumhead soundboard produces string stretching that is first...
Musical taste and authenticity aside, owners of 100+ year-old banjos are admonished not to use steel...
An internal resonator is fitted to the inside of a resonator banjo. From the perspective of simple a...
A second mylar head is easily fashioned into a horizontal annular flange, inspired by the Bacon and ...
Readily available items serve as alternatives for taming the sound of the modern, mylar, steel strin...
Head taps on a new Goodtime banjo rim fitted with a reproduction Bacon Professional ff tone ring are...
A novel bridge and tailpiece design allows direct comparison of the sound of zero break angle with s...
Sound measurements on a sequence of related, similar constructions with slightly different dimensio...
The internal resonator banjo, patented and first sold by Fred Bacon around 1906, remains something o...
(If I were a Lab with a Research Group, this would be an Internal Report, just to remind me what I d...
The banjo’s floating bridge, string break angle, and flexible drumhead all contribute to substantial...
Adding extra weight to the bridge of a banjo (or violin) is a common strategy for muting the sound. ...
Intrigued by the sound of another recently restored example, I attempted to bring a sadly abused, b...
A simple experiment quantifies the difference between the sound production of a banjo with and witho...
C. E. Dobson designed, patented in 1888, produced, and marketed a banjo, the Great Echo, whose uniqu...
The geometry of a floating bridge on a drumhead soundboard produces string stretching that is first...
Musical taste and authenticity aside, owners of 100+ year-old banjos are admonished not to use steel...
An internal resonator is fitted to the inside of a resonator banjo. From the perspective of simple a...
A second mylar head is easily fashioned into a horizontal annular flange, inspired by the Bacon and ...
Readily available items serve as alternatives for taming the sound of the modern, mylar, steel strin...
Head taps on a new Goodtime banjo rim fitted with a reproduction Bacon Professional ff tone ring are...
A novel bridge and tailpiece design allows direct comparison of the sound of zero break angle with s...
Sound measurements on a sequence of related, similar constructions with slightly different dimensio...
The internal resonator banjo, patented and first sold by Fred Bacon around 1906, remains something o...
(If I were a Lab with a Research Group, this would be an Internal Report, just to remind me what I d...
The banjo’s floating bridge, string break angle, and flexible drumhead all contribute to substantial...
Adding extra weight to the bridge of a banjo (or violin) is a common strategy for muting the sound. ...
Intrigued by the sound of another recently restored example, I attempted to bring a sadly abused, b...
A simple experiment quantifies the difference between the sound production of a banjo with and witho...
C. E. Dobson designed, patented in 1888, produced, and marketed a banjo, the Great Echo, whose uniqu...
The geometry of a floating bridge on a drumhead soundboard produces string stretching that is first...
Musical taste and authenticity aside, owners of 100+ year-old banjos are admonished not to use steel...
An internal resonator is fitted to the inside of a resonator banjo. From the perspective of simple a...