Tracing the history of Peruvian filmmaking from the 1960s through the 1990s by way of the specialized film periodicals that critiqued them, this dissertation uses the periodical Hablemos de cine to piece together elements used to define Peruvian national cinema as it developed. As one of the only cinematically oriented publications to remain in print for twenty years, Hablemos de cine became a valuable resource with one of the most consistent, if less confrontational, visions of this period in Latin American film history. The journal is thus examined as a primary reference as to how Peru developed its own ideas of its national cinematic identity, rather than have it imposed on them from critics outside the country. In Peru, Hablemos de c...