The success of Turkish German filmmaker Fatih Akın initiated new debates on the identity of Turkish diasporic filmmakers in Germany. While star director Akın and other Turkish German filmmakers have been celebrated in the German media with the slogan “the new German cinema is Turkish,” the Turkish media seems to downplay the German side of their hyphenated identity.1 Instead, the Turkish press uses the achievements of these Turkish filmmakers in Germany to bolster a positive image for Turkey in an international context
As Germany settles into the 21st century, what relationships do and will the Turkish minority have t...
This article considers the development of Turkish-German cinema, situating it in relation to both th...
Niniejsza praca licencjacka poświęcona jest Fatihowi Akinowi – zarówno jemu samemu, jak i jego twórc...
This special guest-edited issue of New Cinemas: Journal of Contemporary Film explores the dialogues ...
The discussion of Turkish identity both within the boundaries of the country and outside has been a ...
Theoretical thesis.Bibliography: pages 62-66.Introduction: Texts. Immigration. Methodology. -- Chapt...
Fatih Akin’s internationally acclaimed film Gegen die Wand/Head-On (2004), one of the key works of ...
The Gastarbeiter and the subsequent Turkish-German community in Germany have prompted scholarly deba...
ABSTRACT This paper examines how Fatih Akin’s film Head-On/Gegen die Wand (2004), Feo Aladağ’s f...
The film industry that developed at the end of the 19th century played a role in improving the masse...
Multicultural literature produced in the mid-20th century has been criticized for reducing its prota...
Germany is facing a contemporary mainstreaming of the far right, which has a long tradition of wanti...
Since its emergence in the 1980s, Deutschrap has been used by German-Turkish rap artists as a medium...
The decades-long struggle to define German multicultural society takes place in relationship to stat...
Review of the book Turkish German Cinema in the New Millennium: Sites, Sounds, and Screens edited by...
As Germany settles into the 21st century, what relationships do and will the Turkish minority have t...
This article considers the development of Turkish-German cinema, situating it in relation to both th...
Niniejsza praca licencjacka poświęcona jest Fatihowi Akinowi – zarówno jemu samemu, jak i jego twórc...
This special guest-edited issue of New Cinemas: Journal of Contemporary Film explores the dialogues ...
The discussion of Turkish identity both within the boundaries of the country and outside has been a ...
Theoretical thesis.Bibliography: pages 62-66.Introduction: Texts. Immigration. Methodology. -- Chapt...
Fatih Akin’s internationally acclaimed film Gegen die Wand/Head-On (2004), one of the key works of ...
The Gastarbeiter and the subsequent Turkish-German community in Germany have prompted scholarly deba...
ABSTRACT This paper examines how Fatih Akin’s film Head-On/Gegen die Wand (2004), Feo Aladağ’s f...
The film industry that developed at the end of the 19th century played a role in improving the masse...
Multicultural literature produced in the mid-20th century has been criticized for reducing its prota...
Germany is facing a contemporary mainstreaming of the far right, which has a long tradition of wanti...
Since its emergence in the 1980s, Deutschrap has been used by German-Turkish rap artists as a medium...
The decades-long struggle to define German multicultural society takes place in relationship to stat...
Review of the book Turkish German Cinema in the New Millennium: Sites, Sounds, and Screens edited by...
As Germany settles into the 21st century, what relationships do and will the Turkish minority have t...
This article considers the development of Turkish-German cinema, situating it in relation to both th...
Niniejsza praca licencjacka poświęcona jest Fatihowi Akinowi – zarówno jemu samemu, jak i jego twórc...