This work constitutes an advance of the doctoral thesis entitled “Latin American passable installations. The roles of the spectator against the poetics of the absent body “, led by Mss. Silvia Garcia. It proposes an approach to the Colombian artist Doris Salcedo, who explores the individual and collective memories testifying traumatic sociopolitical experiences inside the context in which they ariseinfo:eu-repo/semantics/publishedVersio
Colombian artist Doris Salcedo (born 1958) addresses the themes of loss and bereavement in her sculp...
This text analyses the series “Voar” (2001) by Helena Almeida and “Anatomy and Boxing” (1996) by Jor...
The emergence of laws of historical memory in different countries with a silenced or distorted drama...
This work constitutes an advance of the doctoral thesis entitled “Latin American passable installati...
Este trabajo constituye un avance de la Tesis Doctoral titulada “Instalaciones transitables latinoam...
The aim of this study has been to enable a depiction of humanness without having recourse to the hum...
The work of Colombian artist Doris Salcedo has become an important reference when talking about art ...
The Colombian artist Doris Salcedo demonstrates, through his works, the universal vulnerability of h...
The work of Colombian artist Doris Salcedo has become an important reference when talking about art ...
This text addresses the sculpture work of Colombian artist Doris Salcedo from her take on the topics...
The photographic works Río abajo (Drifting away, 2008) and Sudarios (Shrouds, 2011) by the Colombian...
The first artistic production of Doris Salcedo, with a political intention, revolves around the viol...
This dissertation examines the work of Felix Gonzalez-Torres, Doris Salcedo, Teresa Margolles, and S...
The first artistic production of Doris Salcedo, with a political intention, revolves around the viol...
In this article, Doris Salcedo’s Casa Viuda silent commemoration is the starting point for a reflect...
Colombian artist Doris Salcedo (born 1958) addresses the themes of loss and bereavement in her sculp...
This text analyses the series “Voar” (2001) by Helena Almeida and “Anatomy and Boxing” (1996) by Jor...
The emergence of laws of historical memory in different countries with a silenced or distorted drama...
This work constitutes an advance of the doctoral thesis entitled “Latin American passable installati...
Este trabajo constituye un avance de la Tesis Doctoral titulada “Instalaciones transitables latinoam...
The aim of this study has been to enable a depiction of humanness without having recourse to the hum...
The work of Colombian artist Doris Salcedo has become an important reference when talking about art ...
The Colombian artist Doris Salcedo demonstrates, through his works, the universal vulnerability of h...
The work of Colombian artist Doris Salcedo has become an important reference when talking about art ...
This text addresses the sculpture work of Colombian artist Doris Salcedo from her take on the topics...
The photographic works Río abajo (Drifting away, 2008) and Sudarios (Shrouds, 2011) by the Colombian...
The first artistic production of Doris Salcedo, with a political intention, revolves around the viol...
This dissertation examines the work of Felix Gonzalez-Torres, Doris Salcedo, Teresa Margolles, and S...
The first artistic production of Doris Salcedo, with a political intention, revolves around the viol...
In this article, Doris Salcedo’s Casa Viuda silent commemoration is the starting point for a reflect...
Colombian artist Doris Salcedo (born 1958) addresses the themes of loss and bereavement in her sculp...
This text analyses the series “Voar” (2001) by Helena Almeida and “Anatomy and Boxing” (1996) by Jor...
The emergence of laws of historical memory in different countries with a silenced or distorted drama...