The Colombian artist Doris Salcedo demonstrates, through his works, the universal vulnerability of human beings. The artist uses a concrete materiality such as furniture that is part of everyday life, and builds abstract works, sometimes unusual images, requiring the reader to excavate layers of memory and adjust his perception to decipher the poetic deviation and establish the sense. The theme is violence that humanity was and still been submitted in all corners of the world, particularly Latin America in the stories of oppression, dictatorships, civil wars, civil rights violated, etc. Her works echo the "silent scream" of the vulnerable
"This pioneering book, which focuses on Salcedo’s works from the 1980s to the present, examines the ...
In this article, Doris Salcedo’s Casa Viuda silent commemoration is the starting point for a reflect...
This paper examines the transformative potential of two contemporary Colombian artworks on society. ...
The work of Colombian artist Doris Salcedo has become an important reference when talking about art ...
The work of Colombian artist Doris Salcedo has become an important reference when talking about art ...
This text addresses the sculpture work of Colombian artist Doris Salcedo from her take on the topics...
The first artistic production of Doris Salcedo, with a political intention, revolves around the viol...
The first artistic production of Doris Salcedo, with a political intention, revolves around the viol...
This work constitutes an advance of the doctoral thesis entitled “Latin American passable installati...
Colombian artist Doris Salcedo (born 1958) addresses the themes of loss and bereavement in her sculp...
The aim of this study has been to enable a depiction of humanness without having recourse to the hum...
How to represent the ‘horrorismo’ and suffering the Colombian rural population lives through, in the...
Since the birth of the first civilizations, woman has been linked to the creative capacity in many a...
On Seeing and Being Pain: Corporeal Politics, Visual Cultures and Violence Against Women This presen...
Women artists, such as Leonor Fini, Frida Kahlo, Milica Tomic, Sigalit Landau, Regina Jose Galindo, ...
"This pioneering book, which focuses on Salcedo’s works from the 1980s to the present, examines the ...
In this article, Doris Salcedo’s Casa Viuda silent commemoration is the starting point for a reflect...
This paper examines the transformative potential of two contemporary Colombian artworks on society. ...
The work of Colombian artist Doris Salcedo has become an important reference when talking about art ...
The work of Colombian artist Doris Salcedo has become an important reference when talking about art ...
This text addresses the sculpture work of Colombian artist Doris Salcedo from her take on the topics...
The first artistic production of Doris Salcedo, with a political intention, revolves around the viol...
The first artistic production of Doris Salcedo, with a political intention, revolves around the viol...
This work constitutes an advance of the doctoral thesis entitled “Latin American passable installati...
Colombian artist Doris Salcedo (born 1958) addresses the themes of loss and bereavement in her sculp...
The aim of this study has been to enable a depiction of humanness without having recourse to the hum...
How to represent the ‘horrorismo’ and suffering the Colombian rural population lives through, in the...
Since the birth of the first civilizations, woman has been linked to the creative capacity in many a...
On Seeing and Being Pain: Corporeal Politics, Visual Cultures and Violence Against Women This presen...
Women artists, such as Leonor Fini, Frida Kahlo, Milica Tomic, Sigalit Landau, Regina Jose Galindo, ...
"This pioneering book, which focuses on Salcedo’s works from the 1980s to the present, examines the ...
In this article, Doris Salcedo’s Casa Viuda silent commemoration is the starting point for a reflect...
This paper examines the transformative potential of two contemporary Colombian artworks on society. ...