Underglaze tissue ceramic transfer printing was first developed circa 1750 and involved the use of engraved or etched copper plates, from which a wet strength tissue paper was printed with an oxide (commonly cobalt for blue colour) the famous ‘Willow Pattern’ being the best known example. However skilled engravers are no longer trained or available. The project addresses that issue by introducing the potential of printing the traditional potter’s tissue and applying it in the same way as the late 18th Century process, but creating the printing plate from a digital file. Thus creating a combination of the digital capabilities of flexographic printing technology and the earliest printing process developed for the ceramic industry. The results...
The complex geometries and textures of non-?rigid objects, such as crumpled paper or textiles, ha...
The Ceramic and Printmaking disciplines are two highly process and technically oriented fields that ...
This paper focuses on collaborative working methods developed in creating the public artwork, ‘1497 ...
Underglaze tissue ceramic transfer printing was first developed circa 1750 and involved the use of e...
‘Can new qualities, scales and economies of production be achieved through the application of digita...
These prototypes are results of the AHRC funded research project - Extending the Potential for the D...
These prototypes are the results of the AHRC funded research project - Extending the potential of th...
The Centre for Fine Print Research at the University of the West of England has recently installed a...
Eighteenth-century ceramic and enamelware manufacturers recognised that printing provided a means of...
These prototypes are the result of the AHRC funded research project - Improved Laser Printing Equipm...
3D printing technologies enable physical objects to be produced from digital design data, created us...
Within the territory of crafts, it has long been thought that individuals’ proficiency and adeptness...
David Huson and colleagues at the Centre for Fine Print Research in the School of Creative Arts at t...
This research is concerned with developing a new business model for flexible small scale ceramic pro...
The frieze of the Palace of the stuccoes, dated between the 5th and 6th century BC, was a polychrome...
The complex geometries and textures of non-?rigid objects, such as crumpled paper or textiles, ha...
The Ceramic and Printmaking disciplines are two highly process and technically oriented fields that ...
This paper focuses on collaborative working methods developed in creating the public artwork, ‘1497 ...
Underglaze tissue ceramic transfer printing was first developed circa 1750 and involved the use of e...
‘Can new qualities, scales and economies of production be achieved through the application of digita...
These prototypes are results of the AHRC funded research project - Extending the Potential for the D...
These prototypes are the results of the AHRC funded research project - Extending the potential of th...
The Centre for Fine Print Research at the University of the West of England has recently installed a...
Eighteenth-century ceramic and enamelware manufacturers recognised that printing provided a means of...
These prototypes are the result of the AHRC funded research project - Improved Laser Printing Equipm...
3D printing technologies enable physical objects to be produced from digital design data, created us...
Within the territory of crafts, it has long been thought that individuals’ proficiency and adeptness...
David Huson and colleagues at the Centre for Fine Print Research in the School of Creative Arts at t...
This research is concerned with developing a new business model for flexible small scale ceramic pro...
The frieze of the Palace of the stuccoes, dated between the 5th and 6th century BC, was a polychrome...
The complex geometries and textures of non-?rigid objects, such as crumpled paper or textiles, ha...
The Ceramic and Printmaking disciplines are two highly process and technically oriented fields that ...
This paper focuses on collaborative working methods developed in creating the public artwork, ‘1497 ...