The American drive-in cinema has often been known as a ‘passion pit’ or a ‘passion pit with pix’ and been associated with dating or delinquent teenagers. The label was frequently invoked in the 1950s, but often by those who insisted that drive-ins were well-policed spaces appealing to family audiences both as a film-viewing venue and for its accompanying attractions. This view was largely supported by surveys such as those undertaken by Rodney Luther in 1949 and 1950. The drive-in has also been seen as an inclusive space, appealing to those who felt excluded from indoor cinemas. In examining these differences, this study traces the ‘passion pit’ label back to its teenage slang roots and examines the different ways the label has been used an...
This dissertation examines the myriad of ways automobility and the cinema are interconnected: how th...
The article provides further phenomenological understanding of how brand props are interpreted withi...
After the collapse of the once dominant studio system in the 1950s, Hollywood executives were at a l...
The American drive-in cinema has often been known as a ‘passion pit’ or a ‘passion pit with pix’ and...
The drive-in theater was a phenomenon unique and prosperous in 1950s America. At the height of their...
This thesis sets out to examine and understand the evolution of masculinity in America by the mid-tw...
Artist Statement Passion Pit n. 1. A drive-in movie theater, so called due to its frequent use for u...
This project began with questions about the tremendous amount of time those in Los Angeles have spen...
312-314pp The research field is film history. This commissioned chapter on ‘road movies’ and the hu...
Contrary to the claims of some film historians, the drive-in was not a uniquely American invention. ...
The new cinema history approach asserts the importance of investigating the historical reception of ...
Historical investigation of film audiences and conditions of reception is an underdeveloped area of ...
History of postwar developments in U.S. cinema, in particular the advent of drive-in theatres, the r...
The concept for this study is that there are significant differences between the youth and baby boom...
UnrestrictedThe purpose of this thesis is to obtain in a general way a picture of the "movie traits"...
This dissertation examines the myriad of ways automobility and the cinema are interconnected: how th...
The article provides further phenomenological understanding of how brand props are interpreted withi...
After the collapse of the once dominant studio system in the 1950s, Hollywood executives were at a l...
The American drive-in cinema has often been known as a ‘passion pit’ or a ‘passion pit with pix’ and...
The drive-in theater was a phenomenon unique and prosperous in 1950s America. At the height of their...
This thesis sets out to examine and understand the evolution of masculinity in America by the mid-tw...
Artist Statement Passion Pit n. 1. A drive-in movie theater, so called due to its frequent use for u...
This project began with questions about the tremendous amount of time those in Los Angeles have spen...
312-314pp The research field is film history. This commissioned chapter on ‘road movies’ and the hu...
Contrary to the claims of some film historians, the drive-in was not a uniquely American invention. ...
The new cinema history approach asserts the importance of investigating the historical reception of ...
Historical investigation of film audiences and conditions of reception is an underdeveloped area of ...
History of postwar developments in U.S. cinema, in particular the advent of drive-in theatres, the r...
The concept for this study is that there are significant differences between the youth and baby boom...
UnrestrictedThe purpose of this thesis is to obtain in a general way a picture of the "movie traits"...
This dissertation examines the myriad of ways automobility and the cinema are interconnected: how th...
The article provides further phenomenological understanding of how brand props are interpreted withi...
After the collapse of the once dominant studio system in the 1950s, Hollywood executives were at a l...