International audienceThe Bamana (Bambara) tonal system is characterized by two levels with a downdrift and downstep; low tone is the marked one; the tonal compactness rule regulates a merger of adjacent tonal domains within syntactic groups of certain types; a floating low tone plays a role of a definite/referential article. Dan Gwɛɛtaa has 5 level tones; context changes of tones are quasi-nonexistent; there are numerous grammatical tonal modifications; in the majority of cases, it is the extralow which appears as a grammatical tone; an interpretation of extralow as a default tone can be suggested.Although both languages belong to one mid-range family, the tonal systems of Bamana and Dan-Gwɛɛtaa seem totally different. There are two factor...
This paper expands the descriptive study of tone in the Makonde dialects, started in Odden [1990], b...
A fundamental notion of many suprasegmental theories such as Autosegmental Phonology is that of a “t...
This article discusses the representation of downstep in the tonal orthographies of some three-tone ...
International audienceThe Bamana (Bambara) tonal system is characterized by two levels with a downdr...
International audienceThe Bamana (Bambara) tonal system is characterized by two levels with a downdr...
International audienceThe Bamana (Bambara) tonal system is characterized by two levels with a downdr...
International audienceMany Mande languages show important asymmetries in the tone patterns available...
This paper explores how grammatical tones (GTs) are organized into inflectional paradigms in a sampl...
This paper provides a presentation of tones in the verb system of Samue, a previously undocumente...
Abstract : Bantu languages have proved a good testing ground for tonal theories, due to their divers...
Abstract : Bantu languages have proved a good testing ground for tonal theories, due to their divers...
A study examined the tonal patterns in Komo, a sub-Bantu language of about 200,000 speakers in Zaire...
This paper investigates the Proto-Bantu origins of the principal tonal classes in Kinande nonderive...
International audienceThis paper reexamines the tonology of four "Bamileke" (Mbam-Nkam) languages of...
This paper compares the nominal tone systems of three Bantu language varieties, Ikoma, Nata, and Ise...
This paper expands the descriptive study of tone in the Makonde dialects, started in Odden [1990], b...
A fundamental notion of many suprasegmental theories such as Autosegmental Phonology is that of a “t...
This article discusses the representation of downstep in the tonal orthographies of some three-tone ...
International audienceThe Bamana (Bambara) tonal system is characterized by two levels with a downdr...
International audienceThe Bamana (Bambara) tonal system is characterized by two levels with a downdr...
International audienceThe Bamana (Bambara) tonal system is characterized by two levels with a downdr...
International audienceMany Mande languages show important asymmetries in the tone patterns available...
This paper explores how grammatical tones (GTs) are organized into inflectional paradigms in a sampl...
This paper provides a presentation of tones in the verb system of Samue, a previously undocumente...
Abstract : Bantu languages have proved a good testing ground for tonal theories, due to their divers...
Abstract : Bantu languages have proved a good testing ground for tonal theories, due to their divers...
A study examined the tonal patterns in Komo, a sub-Bantu language of about 200,000 speakers in Zaire...
This paper investigates the Proto-Bantu origins of the principal tonal classes in Kinande nonderive...
International audienceThis paper reexamines the tonology of four "Bamileke" (Mbam-Nkam) languages of...
This paper compares the nominal tone systems of three Bantu language varieties, Ikoma, Nata, and Ise...
This paper expands the descriptive study of tone in the Makonde dialects, started in Odden [1990], b...
A fundamental notion of many suprasegmental theories such as Autosegmental Phonology is that of a “t...
This article discusses the representation of downstep in the tonal orthographies of some three-tone ...