This collection of articles explores the recent revival of traditional letterpress practices within the cultural context of São Paulo, Brazil. Once a default communication technology, letterpress was commercially overtaken by lithographic and digital techniques and further diminished as a result of local bans on public posters and advertising. Presented as intentionally discursive, the three articles combine in-situ research that fuses practice and observation at the point of production and within the culture in which it is experienced. The articles appeared in issues 28, 29 and 30 (2009-2012) of Matrix (Whittington Press), one of the leading international publications for those working with letterpress printing. The aesthetic is implici...
This thesis examines the practice of the contemporary maker of letterpress printed artists’ books in...
Many design students are not able to experience working with the traditional craft of typography, si...
Until the latter half of the twentieth century, the majority of art schools and colleges in the UK h...
This collection of articles explores the recent revival of traditional letterpress practices within ...
Using case studies drawn from over twelve years experience as Designer in Residence in the Caseroom ...
At present, with the rapid development of society, digital media has become the mainstream of vision...
This paper explores the value of retaining letterpress workshops within art and design schools, not ...
The subject of this thesis is letterpress and the pertinency of its use in contemporary publishing p...
This research proposes that the conventions of traditional printing and typographic knowledge does n...
Letterpress is a method of printing that requires the use of moveable type made out of wood or metal...
Lecture on my practice and the place of Letterpress within a wider design context. Letterpress, w...
My contribution wants to be an attempt to lay the foundations for an overall discourse on the subjec...
The decline of commercial letterpress printing and technological advances in industry were major inf...
A peer-reviewed paper acepted at the 2-day AHRC network event: Letterpress: past, present and future...
peer-reviewedLetterpress printing, the craft once revered as the means by which a message was carrie...
This thesis examines the practice of the contemporary maker of letterpress printed artists’ books in...
Many design students are not able to experience working with the traditional craft of typography, si...
Until the latter half of the twentieth century, the majority of art schools and colleges in the UK h...
This collection of articles explores the recent revival of traditional letterpress practices within ...
Using case studies drawn from over twelve years experience as Designer in Residence in the Caseroom ...
At present, with the rapid development of society, digital media has become the mainstream of vision...
This paper explores the value of retaining letterpress workshops within art and design schools, not ...
The subject of this thesis is letterpress and the pertinency of its use in contemporary publishing p...
This research proposes that the conventions of traditional printing and typographic knowledge does n...
Letterpress is a method of printing that requires the use of moveable type made out of wood or metal...
Lecture on my practice and the place of Letterpress within a wider design context. Letterpress, w...
My contribution wants to be an attempt to lay the foundations for an overall discourse on the subjec...
The decline of commercial letterpress printing and technological advances in industry were major inf...
A peer-reviewed paper acepted at the 2-day AHRC network event: Letterpress: past, present and future...
peer-reviewedLetterpress printing, the craft once revered as the means by which a message was carrie...
This thesis examines the practice of the contemporary maker of letterpress printed artists’ books in...
Many design students are not able to experience working with the traditional craft of typography, si...
Until the latter half of the twentieth century, the majority of art schools and colleges in the UK h...