Add to ORKGThe Brazilian contemporaneous writers who had chosen the cinematographiclanguage as second nature of the literary work finish by canonize the modernisttexts. Stating their predecessors, today’s fictionists affirm the hope that thatvanguard had in the democratization, amplification and education of the reader
The historiography of Brazilian cinema, which is mainly inspired by modernism, does not effectively ...
ABSTRACT: The literary history of a country is always under revision, in a perennial process of crit...
The author proposes the disciplines of History and Literature to be narrated and understood through ...
This essay investigates the connection between Cinema Novo and Modernism. Decisive for the formation...
This paper intends to discuss, mainly from “The canon as a formation: Antonio Candido’s theory of Br...
The aim of this article is to discuss the situation of Brazilian Theater in the first decade of the ...
Discutiremos nos romances Amar, verbo intransitivo (1927) e Menino de Engenho (1932), de Mário de An...
This article is based on the premise of the transformation carried out in art by the Modern Art Week...
The book Cinematographo: chronicas cariocas by João do Rio not only establishes for the first time i...
Neste artigo, discutimos a singularidade do discurso intersemiótico no estilo da escrita literária d...
Reconhecendo os elementos sociais e ideológicos que atuam em todo processo de construção cultural, o...
The aim of this paper is to analyze the intersemiotic dialogue between literature and cinema, focusi...
Os documentos que compõe a Programação modernista — prefácios e manifestos — escritos entre 1922-192...
Análise de O Mandarim, considerando a possibilidade de existência, na estrutura formal da narrativa,...
O artigo trata da retomada das produções cinematográficas brasileiras, o que a autora denomina de No...
The historiography of Brazilian cinema, which is mainly inspired by modernism, does not effectively ...
ABSTRACT: The literary history of a country is always under revision, in a perennial process of crit...
The author proposes the disciplines of History and Literature to be narrated and understood through ...
This essay investigates the connection between Cinema Novo and Modernism. Decisive for the formation...
This paper intends to discuss, mainly from “The canon as a formation: Antonio Candido’s theory of Br...
The aim of this article is to discuss the situation of Brazilian Theater in the first decade of the ...
Discutiremos nos romances Amar, verbo intransitivo (1927) e Menino de Engenho (1932), de Mário de An...
This article is based on the premise of the transformation carried out in art by the Modern Art Week...
The book Cinematographo: chronicas cariocas by João do Rio not only establishes for the first time i...
Neste artigo, discutimos a singularidade do discurso intersemiótico no estilo da escrita literária d...
Reconhecendo os elementos sociais e ideológicos que atuam em todo processo de construção cultural, o...
The aim of this paper is to analyze the intersemiotic dialogue between literature and cinema, focusi...
Os documentos que compõe a Programação modernista — prefácios e manifestos — escritos entre 1922-192...
Análise de O Mandarim, considerando a possibilidade de existência, na estrutura formal da narrativa,...
O artigo trata da retomada das produções cinematográficas brasileiras, o que a autora denomina de No...
The historiography of Brazilian cinema, which is mainly inspired by modernism, does not effectively ...
ABSTRACT: The literary history of a country is always under revision, in a perennial process of crit...
The author proposes the disciplines of History and Literature to be narrated and understood through ...