E-dialogue using video streaming and video file exchange considering the themes of the 2010 Biennials taking place in autumn/winter 2010 in Liverpool and Shanghai. File exchanges and presentations. The event was a first time e-dialogue and conversation between the curatorial teams of the Shanghai Biennale and Liverpool Biennial, represented by Professor Ling Min at the Fine Arts College Shanghai University and Jonathan Kearney, Camberwell College of Arts, University of the Arts London
In the exhibition Creamer was was invited to present their collaborative film 'From Shinning Clough'...
Co- organiser with Paul Halliday in partnership with the Tate Britain on the International Urban Enc...
'Loop-pool II' was a public art event. Whilst Loop-pool [http://ualresearchonline.arts.ac.uk/1591...
“No place–Some place” was produced for the Liverpool Biennial exhibition WALK ON, curated by Bryan B...
Live link between JMU Art & Design Academy Liverpool and AM Space Shanghai. E-dialogue using vid...
“in different places” was a public art event. It was facilitated by an invitation from the Bluecoat ...
The theme of the 2012 Liverpool Biennial was ‘Hospitality’, and the festival presented work by 242 a...
Between June 15thand 19th RCA based researcher Dr Eleanor Dare, visited Shanghai to conduct a series...
By reflecting on the City, Public Arts & Cultural Ecology forum in Shanghai March 2012 in the co...
Conjunctively evolving: Masters of Contemporary Art in China and Britain was curated in response and...
I was a 2017-2018 Centre for Mobilities Research CEMORE Visiting Fellow, Lancaster University. I wor...
This Biennial was the first to be dedicated to communication between the arts disciplines. It aimed ...
This essay is based on my curatorial work for the exhibition Place.Time.Play: Contemporary Art from ...
Charlie Koolhaas was the co-curator of the Shenzhen Biennale of Urbanism and Architecture 2007, cura...
work that explores the role of multidisciplinary, collaborative prototypes within a fine art context...
In the exhibition Creamer was was invited to present their collaborative film 'From Shinning Clough'...
Co- organiser with Paul Halliday in partnership with the Tate Britain on the International Urban Enc...
'Loop-pool II' was a public art event. Whilst Loop-pool [http://ualresearchonline.arts.ac.uk/1591...
“No place–Some place” was produced for the Liverpool Biennial exhibition WALK ON, curated by Bryan B...
Live link between JMU Art & Design Academy Liverpool and AM Space Shanghai. E-dialogue using vid...
“in different places” was a public art event. It was facilitated by an invitation from the Bluecoat ...
The theme of the 2012 Liverpool Biennial was ‘Hospitality’, and the festival presented work by 242 a...
Between June 15thand 19th RCA based researcher Dr Eleanor Dare, visited Shanghai to conduct a series...
By reflecting on the City, Public Arts & Cultural Ecology forum in Shanghai March 2012 in the co...
Conjunctively evolving: Masters of Contemporary Art in China and Britain was curated in response and...
I was a 2017-2018 Centre for Mobilities Research CEMORE Visiting Fellow, Lancaster University. I wor...
This Biennial was the first to be dedicated to communication between the arts disciplines. It aimed ...
This essay is based on my curatorial work for the exhibition Place.Time.Play: Contemporary Art from ...
Charlie Koolhaas was the co-curator of the Shenzhen Biennale of Urbanism and Architecture 2007, cura...
work that explores the role of multidisciplinary, collaborative prototypes within a fine art context...
In the exhibition Creamer was was invited to present their collaborative film 'From Shinning Clough'...
Co- organiser with Paul Halliday in partnership with the Tate Britain on the International Urban Enc...
'Loop-pool II' was a public art event. Whilst Loop-pool [http://ualresearchonline.arts.ac.uk/1591...