This one-day symposium, curated and introduced by Rebecca Fortnum, looked at the role of 'not knowing' within the creative process. The day examined how artists formulate strategies of not knowing and use the states of ignorance, doubt, block and failure within their decision making process. The state of 'not knowing' is also clearly acknowledged as an important aspect of all research, and speakers from across disciplines joined visual artists to debate these issues from a number of perspectives
The interpretative and interactive epistemology of Art is complex and therefore how knowledge is gai...
The understanding, I draw from this inquiry has come through a muddy, and complex entangledprocess. ...
Artistic research continues to be the subject of many extended and often somewhat affected debates. ...
This one-day symposium looked at the role of 'not knowing' within the creative process. The day exam...
1 day symposium followed by 2 week participatory exhibition. In a climate of economic instability...
This thesis addresses the ways my work questions how painting is experiential both for the artist an...
The project explored the hypothesis that meaning, within contemporary painting practice, is embedded...
The traditional forms of art writing we perhaps most readily think of - like the received and establ...
Testing, Testing is an exhibition, book, symposium and second book by PhD practice-based researchers...
Much of the work of artists relies on tacit or inert understanding of their craft and consequently c...
The interpretative and interactive epistemology of Art is complex and therefore how knowledge is gai...
The interpretative and interactive epistemology of Art is complex and therefore how knowledge is gai...
The interpretative and interactive epistemology of Art is complex and therefore how knowledge is gai...
The interpretative and interactive epistemology of Art is complex and therefore how knowledge is gai...
The interpretative and interactive epistemology of Art is complex and therefore how knowledge is gai...
The interpretative and interactive epistemology of Art is complex and therefore how knowledge is gai...
The understanding, I draw from this inquiry has come through a muddy, and complex entangledprocess. ...
Artistic research continues to be the subject of many extended and often somewhat affected debates. ...
This one-day symposium looked at the role of 'not knowing' within the creative process. The day exam...
1 day symposium followed by 2 week participatory exhibition. In a climate of economic instability...
This thesis addresses the ways my work questions how painting is experiential both for the artist an...
The project explored the hypothesis that meaning, within contemporary painting practice, is embedded...
The traditional forms of art writing we perhaps most readily think of - like the received and establ...
Testing, Testing is an exhibition, book, symposium and second book by PhD practice-based researchers...
Much of the work of artists relies on tacit or inert understanding of their craft and consequently c...
The interpretative and interactive epistemology of Art is complex and therefore how knowledge is gai...
The interpretative and interactive epistemology of Art is complex and therefore how knowledge is gai...
The interpretative and interactive epistemology of Art is complex and therefore how knowledge is gai...
The interpretative and interactive epistemology of Art is complex and therefore how knowledge is gai...
The interpretative and interactive epistemology of Art is complex and therefore how knowledge is gai...
The interpretative and interactive epistemology of Art is complex and therefore how knowledge is gai...
The understanding, I draw from this inquiry has come through a muddy, and complex entangledprocess. ...
Artistic research continues to be the subject of many extended and often somewhat affected debates. ...