Add to ORKGThis thesis addresses the ways my work questions how painting is experiential both for the artist and the viewer. The paintings are based on the space where there is no distinction between states of matter and energy
This thesis Is a statement in painting, and It attempts to convey what the artist feels - visually. ...
This thesis Is a statement in painting, and It attempts to convey what the artist feels - visually. ...
The understanding, I draw from this inquiry has come through a muddy, and complex entangledprocess. ...
This paper follows the changes my paintings took over the course of my time in graduate school. My w...
This work is a confession in front of both myself and the one who reads my words and looks at my ima...
This one-day symposium, curated and introduced by Rebecca Fortnum, looked at the role of 'not knowin...
With painting I find myself asking a lot of questions and finding very few answers, but I think it i...
With painting I find myself asking a lot of questions and finding very few answers, but I think it i...
[[abstract]]This research starts from the clarification of the methods how one perceives the world a...
This paper begins to establish an 'aesthetic of the unknown' by drawing together theorists and appro...
This paper begins to establish an 'aesthetic of the unknown' by drawing together theorists and appro...
This practice‐based project is an exploration of how sensations of ‘the Uncanny’ can be evoked throu...
Knowingness and the Intuitive in Painting documents practical and theoretical investigations into th...
This practice‐based project is an exploration of how sensations of ‘the Uncanny’ can be evoked throu...
As somebody who spent a considerable amount of time coming to terms with my own identity, I would of...
This thesis Is a statement in painting, and It attempts to convey what the artist feels - visually. ...
This thesis Is a statement in painting, and It attempts to convey what the artist feels - visually. ...
The understanding, I draw from this inquiry has come through a muddy, and complex entangledprocess. ...
This paper follows the changes my paintings took over the course of my time in graduate school. My w...
This work is a confession in front of both myself and the one who reads my words and looks at my ima...
This one-day symposium, curated and introduced by Rebecca Fortnum, looked at the role of 'not knowin...
With painting I find myself asking a lot of questions and finding very few answers, but I think it i...
With painting I find myself asking a lot of questions and finding very few answers, but I think it i...
[[abstract]]This research starts from the clarification of the methods how one perceives the world a...
This paper begins to establish an 'aesthetic of the unknown' by drawing together theorists and appro...
This paper begins to establish an 'aesthetic of the unknown' by drawing together theorists and appro...
This practice‐based project is an exploration of how sensations of ‘the Uncanny’ can be evoked throu...
Knowingness and the Intuitive in Painting documents practical and theoretical investigations into th...
This practice‐based project is an exploration of how sensations of ‘the Uncanny’ can be evoked throu...
As somebody who spent a considerable amount of time coming to terms with my own identity, I would of...
This thesis Is a statement in painting, and It attempts to convey what the artist feels - visually. ...
This thesis Is a statement in painting, and It attempts to convey what the artist feels - visually. ...
The understanding, I draw from this inquiry has come through a muddy, and complex entangledprocess. ...