Michaela Pavlatova

The purpose of this text is to reassess the animation like an aesthetics human practice even out of the cinematographic field. An important resource are the Semir Zeki`s investigations about neuroaesthetics. Im going to review the origin and historic course of animation from the prehistory, bearing in mind the human evolutive process of perception (body-brain) and the human development from childhood that makes possible the existence of the animation. For that, as example, Im going to put into context the animated Films of the czech filmmaker Michaela Pavlátová. Her live related to animation and the characteristics of her Films will appear as motive(motivation) to expand ideas like how the environment can influence the way to represent the space, or the relations between politic and czech animation, or how works the perception of color in the brain, or the importance of the faces in social relationships, and how that motives appears and becomes art across author hands