Add to ORKGThis essay examines the imaginative use of images of the violently abused body in the writing of Seamus Heaney. Looking at The Cure at Troy and The Burial at Thebes, this essay also looks at real bodies – victims of the violence in Northern Ireland – those of the Kingmsills massacre and Robert McCartney. The ethical import of a bruised and abused body is a strong trope in Heaney’s work and the conflation between ethics, aesthetic and politics in terms of the body is explored.Ye
This essay looks at three poems by Seamus Heaney in the light of Jacques Lacan’s theories of the sub...
Heaney\u27s poetry has grown and changed since the publication of his first collection of poetry, De...
Poetry for Seamus Heaney has an ‘archaeological’ function. Much of Heaney’s poetry engages with the ...
This essay examines the imaginative use of images of the violently abused body in the writing of Sea...
This essay investigates two of Seamus Heaney’s translations, The Cure at Troy (1990) and The Burial...
This essay deals with two of Heaney’s major translations, Sweeney Astray and The Cure at Troy, are c...
Seamus Heaney and the Poetic(s) of Violence reconsiders the key importance of violence as an aesthet...
This chapter examines Heaney’s use of classical imagery as a literary device through which he can ad...
Seamus Heaney explores the historical and cultural origins of his native territory. His poems link t...
This essay examines the use of law in Heaney’s Greek translations: The Burial at Thebes, and The Cur...
Seamus Heaney's prose poetics return repeatedly to the adequacy of poetry, its ameliorative, restora...
The literal opus of Seamus Heaney is imbued with problems that range from the essence of being a con...
Seamus Heaney’s unexpected death in August 2013 brought to completion his body of work, and scholars...
For Seamus Heaney translation was by no means peripheral to his literary project, but central to it,...
This article focuses on the noteworthy intellectual and artistic coherence apparent in the relations...
This essay looks at three poems by Seamus Heaney in the light of Jacques Lacan’s theories of the sub...
Heaney\u27s poetry has grown and changed since the publication of his first collection of poetry, De...
Poetry for Seamus Heaney has an ‘archaeological’ function. Much of Heaney’s poetry engages with the ...
This essay examines the imaginative use of images of the violently abused body in the writing of Sea...
This essay investigates two of Seamus Heaney’s translations, The Cure at Troy (1990) and The Burial...
This essay deals with two of Heaney’s major translations, Sweeney Astray and The Cure at Troy, are c...
Seamus Heaney and the Poetic(s) of Violence reconsiders the key importance of violence as an aesthet...
This chapter examines Heaney’s use of classical imagery as a literary device through which he can ad...
Seamus Heaney explores the historical and cultural origins of his native territory. His poems link t...
This essay examines the use of law in Heaney’s Greek translations: The Burial at Thebes, and The Cur...
Seamus Heaney's prose poetics return repeatedly to the adequacy of poetry, its ameliorative, restora...
The literal opus of Seamus Heaney is imbued with problems that range from the essence of being a con...
Seamus Heaney’s unexpected death in August 2013 brought to completion his body of work, and scholars...
For Seamus Heaney translation was by no means peripheral to his literary project, but central to it,...
This article focuses on the noteworthy intellectual and artistic coherence apparent in the relations...
This essay looks at three poems by Seamus Heaney in the light of Jacques Lacan’s theories of the sub...
Heaney\u27s poetry has grown and changed since the publication of his first collection of poetry, De...
Poetry for Seamus Heaney has an ‘archaeological’ function. Much of Heaney’s poetry engages with the ...