Add to ORKGThis essay examines the imaginative use of images of the violently abused body in the writing of Seamus Heaney. Looking at The Cure at Troy and The Burial at Thebes, this essay also looks at real bodies – victims of the violence in Northern Ireland – those of the Kingmsills massacre and Robert McCartney. The ethical import of a bruised and abused body is a strong trope in Heaney’s work and the conflation between ethics, aesthetic and politics in terms of the body is explored.Ye
This essay discusses the nature of postcolonial versions of Irishness and deconstructs the Manichean...
The interest of contemporary Irish authors in the Greek and Roman antiquity testifies to their renew...
The contexts of Seamus Heaney's writing have been routinely noted but their critical interrogation h...
This essay examines the imaginative use of images of the violently abused body in the writing of Sea...
For Seamus Heaney translation was by no means peripheral to his literary project, but central to it,...
Seamus Heaney and the Poetic(s) of Violence reconsiders the key importance of violence as an aesthet...
This essay deals with two of Heaney’s major translations, Sweeney Astray and The Cure at Troy, are c...
In this essay, Campbell posits that Seamus Heaney's poems in 'Field Work' are concerned with the poe...
Seamus Heaney’s unexpected death in August 2013 brought to completion his body of work, and scholars...
This essay investigates two of Seamus Heaney’s translations, The Cure at Troy (1990) and The Burial...
This essay examines the use of law in Heaney’s Greek translations: The Burial at Thebes, and The Cur...
The Burial at Thebes, Seamus Heaney's adaptation of Antigone, was first performed at the centenary c...
Seamus Heaney's prose poetics return repeatedly to the adequacy of poetry, its ameliorative, restora...
It was Seamus Heaney’s practice to submit poems that were to appear in Death of a Naturalist to the ...
This chapter examines Heaney’s use of classical imagery as a literary device through which he can ad...
This essay discusses the nature of postcolonial versions of Irishness and deconstructs the Manichean...
The interest of contemporary Irish authors in the Greek and Roman antiquity testifies to their renew...
The contexts of Seamus Heaney's writing have been routinely noted but their critical interrogation h...
This essay examines the imaginative use of images of the violently abused body in the writing of Sea...
For Seamus Heaney translation was by no means peripheral to his literary project, but central to it,...
Seamus Heaney and the Poetic(s) of Violence reconsiders the key importance of violence as an aesthet...
This essay deals with two of Heaney’s major translations, Sweeney Astray and The Cure at Troy, are c...
In this essay, Campbell posits that Seamus Heaney's poems in 'Field Work' are concerned with the poe...
Seamus Heaney’s unexpected death in August 2013 brought to completion his body of work, and scholars...
This essay investigates two of Seamus Heaney’s translations, The Cure at Troy (1990) and The Burial...
This essay examines the use of law in Heaney’s Greek translations: The Burial at Thebes, and The Cur...
The Burial at Thebes, Seamus Heaney's adaptation of Antigone, was first performed at the centenary c...
Seamus Heaney's prose poetics return repeatedly to the adequacy of poetry, its ameliorative, restora...
It was Seamus Heaney’s practice to submit poems that were to appear in Death of a Naturalist to the ...
This chapter examines Heaney’s use of classical imagery as a literary device through which he can ad...
This essay discusses the nature of postcolonial versions of Irishness and deconstructs the Manichean...
The interest of contemporary Irish authors in the Greek and Roman antiquity testifies to their renew...
The contexts of Seamus Heaney's writing have been routinely noted but their critical interrogation h...