This booklet contains a documentation of the project Acting Different which was implemented by Smashing Times and Corrymeela Community/Irish Peace Centres and consisted of a series of drama workshops and seminars conducted on a cross-community and cross-border basis with several groups in the Lisburn and Castlereagh area of Northern Ireland and County Leitrim in the Republic of Ireland. The aim of the project was to use high quality theatre processes to promote peace building and reconciliation. Professional theatre practitioners from Smashing Times Theatre Company conducted the workshops. The booklet contains a description of three drama workshop models used in the project – one to promote anti-racism, one to promote anti-sectarianism and ...
Bespoke theatre piece and workshop for Amnesty International for their RISE UP programme. Rise Up is...
This thesis explores the role of engaged theatre in peacebuilding through the lens of conflict trans...
Theatre Programme for Antigone in a version by Bertolt Brecht, BA in Drama (Performance), 201
This booklet contains a documentation of the project Acting Different which was implemented by Smash...
This booklet is written by Mary Moynihan and produced by Smashing Times Theatre Company Limited as p...
This research booklet examines the effectiveness of drama and theatre practice as a means to promoti...
This booklet contains a documentation of the first round of Acting for the Future which uses partici...
Theatre Programme 2013 for production of Witness - Season of Smashing Times plays, readings, perform...
South Africa’s Truth and Reconciliation Commission is an internationally regarded – if contested – t...
Professional theatre writing that explores the conflict has a long history in Ireland, from O'Casey ...
textStaging a Shared Future argues that theatre provides vital insight into the construction and use...
An Exploration into the Impact of Drama and Theatre on Policy aims to determine the influence, if an...
This thesis presents an analysis of adult education programs concerned with reconciliation, and more...
Theme issue on music and arts in conflict transformationSince the Good Friday Agreement of 1998, lar...
I was commissioned by Stratford Circus Arts Centre in 2010 to write, direct and produce Guantanamo B...
Bespoke theatre piece and workshop for Amnesty International for their RISE UP programme. Rise Up is...
This thesis explores the role of engaged theatre in peacebuilding through the lens of conflict trans...
Theatre Programme for Antigone in a version by Bertolt Brecht, BA in Drama (Performance), 201
This booklet contains a documentation of the project Acting Different which was implemented by Smash...
This booklet is written by Mary Moynihan and produced by Smashing Times Theatre Company Limited as p...
This research booklet examines the effectiveness of drama and theatre practice as a means to promoti...
This booklet contains a documentation of the first round of Acting for the Future which uses partici...
Theatre Programme 2013 for production of Witness - Season of Smashing Times plays, readings, perform...
South Africa’s Truth and Reconciliation Commission is an internationally regarded – if contested – t...
Professional theatre writing that explores the conflict has a long history in Ireland, from O'Casey ...
textStaging a Shared Future argues that theatre provides vital insight into the construction and use...
An Exploration into the Impact of Drama and Theatre on Policy aims to determine the influence, if an...
This thesis presents an analysis of adult education programs concerned with reconciliation, and more...
Theme issue on music and arts in conflict transformationSince the Good Friday Agreement of 1998, lar...
I was commissioned by Stratford Circus Arts Centre in 2010 to write, direct and produce Guantanamo B...
Bespoke theatre piece and workshop for Amnesty International for their RISE UP programme. Rise Up is...
This thesis explores the role of engaged theatre in peacebuilding through the lens of conflict trans...
Theatre Programme for Antigone in a version by Bertolt Brecht, BA in Drama (Performance), 201