Media has been one of the United States premier exports for several years. Recently, the Korean Wave has garnered coverage in many international arenas, with Big Bang winning best international group at the 2011 MTV European Music Awards and Gangnam Style reaching number one on the Billboard Social 50 Chart. This Article compares and contrasts the copyright and music licensing regimes in the Republic of Korea and the United States, focusing on substantive copyright protection but also including discussion of the function of rights management societies. We address cultural, historical, and economic factors contributing to the distinctive treatment of musical regulation and offer our opinion as to which nations approach is more legally and lo...
In this article, the cases for last one year related to copyright issues of the Koreas contents indu...
Compulsory licensing is a system by which the copyright owners of most music are required to license...
As of 2015, the American entertainment market was worth about $600 billion, and it is projected to s...
The term artists includes film, television ( TV ), stage, and musical actors and actresses ( actor...
Songs and music are one of the works protected by Law No.28 of 2014 concerning Copyright. Digitaliza...
2017-08-05Between the years of 2006 and 2013, South Korea’s three largest music firms—SM Entertainme...
China’s music copyright collecting society and its new music platforms, find points of commonality t...
The purpose of this article is to provide interpretative guidance to readers outside of South Korea ...
Price control can restore efficiency in some cases, but an uncarefully designed policy fails to res...
Following the third copyright law amendment in China, this paper offers a timely contribution to the...
Commissioned for a symposium on copyright law and the creation of music, this article explores five ...
Royalty collection in music is considered as the ‘holy grail’ in resolving the remuneration issue of...
The economic importance of copyright industries in developed market economies has been well document...
Following the third copyright law amendment in China, this paper offers a timely contribution to the...
This paper highlights non-Western views on trust in regulation and governance through a comparative ...
In this article, the cases for last one year related to copyright issues of the Koreas contents indu...
Compulsory licensing is a system by which the copyright owners of most music are required to license...
As of 2015, the American entertainment market was worth about $600 billion, and it is projected to s...
The term artists includes film, television ( TV ), stage, and musical actors and actresses ( actor...
Songs and music are one of the works protected by Law No.28 of 2014 concerning Copyright. Digitaliza...
2017-08-05Between the years of 2006 and 2013, South Korea’s three largest music firms—SM Entertainme...
China’s music copyright collecting society and its new music platforms, find points of commonality t...
The purpose of this article is to provide interpretative guidance to readers outside of South Korea ...
Price control can restore efficiency in some cases, but an uncarefully designed policy fails to res...
Following the third copyright law amendment in China, this paper offers a timely contribution to the...
Commissioned for a symposium on copyright law and the creation of music, this article explores five ...
Royalty collection in music is considered as the ‘holy grail’ in resolving the remuneration issue of...
The economic importance of copyright industries in developed market economies has been well document...
Following the third copyright law amendment in China, this paper offers a timely contribution to the...
This paper highlights non-Western views on trust in regulation and governance through a comparative ...
In this article, the cases for last one year related to copyright issues of the Koreas contents indu...
Compulsory licensing is a system by which the copyright owners of most music are required to license...
As of 2015, the American entertainment market was worth about $600 billion, and it is projected to s...