Robyn Longhurst and Carla Wilson enlarge the question of both national identity and gender by investigating the aptly-named Heartland documentary series. They analyse both the series itself and the discourses around it from the book of the series to the press cuttings. In doing so they pinpoint images of nation, masculinity and femininity that are both stable and transgressive and which emerge through the documentaries themselves, their presenter Gamy McCormack and the celebrated Chloe of Wainuiomata
This thesis is a social constructionist analysis of the construction of rural masculinity in New Zea...
The Māori Television Service (MTS) is described as New Zealand's Indigenous broadcaster. Since its l...
Vanessa Knights and Tony Biddle write that conceptualisations of the national have been somewhat sid...
Robyn Longhurst and Carla Wilson enlarge the question of both national identity and gender by invest...
Television permeates our daily lives. Ninety seven per cent of New Zealand households have a televis...
Documentary film enacts a particular viewing position, which enlists spectators in what Elizabeth Co...
(c) The Author/s 2022AM accepted for publication in "Media, culture and society" first published onl...
Television is recognised as one of the best mediums to effectively access a great number of people w...
The 1998 documentary series The New Zealand Wars, based on James Belich’s revisionist monograph on N...
A scan of social research about rural New Zealand from the 1980s reveals power divisions which have ...
Vanessa Knights and Tony Biddle write that “conceptualizations of the national ... have been somewha...
Why should I, or any geographers, be wondering about Married at First Sight New Zealand (MAFSNZ, TV3...
Poetry and film are artistic modes for representing, interpreting and evaluating our environment. A...
In Aotearoa New Zealand, television documentary is a particularly significant genre through which Mā...
This paper examines three television documentaries--entitled Not Just a Domestic (1994), Not Just a ...
This thesis is a social constructionist analysis of the construction of rural masculinity in New Zea...
The Māori Television Service (MTS) is described as New Zealand's Indigenous broadcaster. Since its l...
Vanessa Knights and Tony Biddle write that conceptualisations of the national have been somewhat sid...
Robyn Longhurst and Carla Wilson enlarge the question of both national identity and gender by invest...
Television permeates our daily lives. Ninety seven per cent of New Zealand households have a televis...
Documentary film enacts a particular viewing position, which enlists spectators in what Elizabeth Co...
(c) The Author/s 2022AM accepted for publication in "Media, culture and society" first published onl...
Television is recognised as one of the best mediums to effectively access a great number of people w...
The 1998 documentary series The New Zealand Wars, based on James Belich’s revisionist monograph on N...
A scan of social research about rural New Zealand from the 1980s reveals power divisions which have ...
Vanessa Knights and Tony Biddle write that “conceptualizations of the national ... have been somewha...
Why should I, or any geographers, be wondering about Married at First Sight New Zealand (MAFSNZ, TV3...
Poetry and film are artistic modes for representing, interpreting and evaluating our environment. A...
In Aotearoa New Zealand, television documentary is a particularly significant genre through which Mā...
This paper examines three television documentaries--entitled Not Just a Domestic (1994), Not Just a ...
This thesis is a social constructionist analysis of the construction of rural masculinity in New Zea...
The Māori Television Service (MTS) is described as New Zealand's Indigenous broadcaster. Since its l...
Vanessa Knights and Tony Biddle write that conceptualisations of the national have been somewhat sid...