In late 2003, I walked from Busselton, to Perth, to Kellerberrin. The route I took, including detours and backtracking, was a journey of c.700km. I carried a pack, a solar panel, a GPS, a handheld computer, and a mobile phone. Twice a day, at noon and one other time chosen by me, I stopped, took a GPS reading and five photographs (NSEW and one other), and wrote about what I heard, touched, saw, smelled, tasted, found, felt, thought, or imagined at those places. I chose one photograph for each place and uploaded it with my writing to a website as email messages. For each day there were two photographs and two texts. I wanted this writing to be as raw, as ‘unmediated’ (acknowledging the difficulties of such an aim), as unedited, as p...
Place-making begins with the investigation of oneself in place, and with the experience of the body—...
The writer has a poor sense of orientation and loses her way when she walks in cities. When this hap...
In examining how walking informs my own work, this illustrated paper argues for a reappraisal of the...
In late 2003, I walked from Busselton, to Perth, to Kellerberrin. The route I took,\ud including det...
Walk as a performing art. In 2003 the writers walked to Kellerberrin, a small, and to most people un...
Through a Fellowship Program funded by the Watkinson, I am embarking on a creative journey using the...
This creative project is a travel memoir written about my three trips to Europe between 2014-2017. D...
‘iAmbic Pedometer’ is a durational iPhone video that records Brennan’s walking through Sunderland, i...
It is common to hear that travelling changes people, often for the better, but what are tangible way...
This is a copy of my thesis which I have written in its original form as a travel journal that I bro...
In 2010 I made a short trip to the Isle of Lewis in the Outer Hebrides. My main impetus was to visit...
This article traces stories of singular footsteps taken on a collective meandering through Brisbane ...
My practice-based research draws upon psychogeography and the relationship between walking, ideation...
In this paper, seven writers experiment with ethnographic and artistic responses to each other’s wal...
The challenge of recording any image is to capture the spirit of the subject matter, and drawing has...
Place-making begins with the investigation of oneself in place, and with the experience of the body—...
The writer has a poor sense of orientation and loses her way when she walks in cities. When this hap...
In examining how walking informs my own work, this illustrated paper argues for a reappraisal of the...
In late 2003, I walked from Busselton, to Perth, to Kellerberrin. The route I took,\ud including det...
Walk as a performing art. In 2003 the writers walked to Kellerberrin, a small, and to most people un...
Through a Fellowship Program funded by the Watkinson, I am embarking on a creative journey using the...
This creative project is a travel memoir written about my three trips to Europe between 2014-2017. D...
‘iAmbic Pedometer’ is a durational iPhone video that records Brennan’s walking through Sunderland, i...
It is common to hear that travelling changes people, often for the better, but what are tangible way...
This is a copy of my thesis which I have written in its original form as a travel journal that I bro...
In 2010 I made a short trip to the Isle of Lewis in the Outer Hebrides. My main impetus was to visit...
This article traces stories of singular footsteps taken on a collective meandering through Brisbane ...
My practice-based research draws upon psychogeography and the relationship between walking, ideation...
In this paper, seven writers experiment with ethnographic and artistic responses to each other’s wal...
The challenge of recording any image is to capture the spirit of the subject matter, and drawing has...
Place-making begins with the investigation of oneself in place, and with the experience of the body—...
The writer has a poor sense of orientation and loses her way when she walks in cities. When this hap...
In examining how walking informs my own work, this illustrated paper argues for a reappraisal of the...