Guillén de Castro's play La fuerza de la costumbre (1625) depicts the process of re-teaching gender to Hipólita and Félix, a sister and brother who have grown up performing the gender opposite to their physical sex. This dissertation provides the first edition of the play since 1927, and the first ever critical edition, which contains notes, critical apparatus and essays, and compiles information from all extant sources, including the manuscripts (not used in the 1927 edition). The 1625 print edition serves as the base text, with variants from the four manuscript witnesses compiled in an index. The critical apparatus includes a biography of the author, textual history, editorial methodology, metrical analysis, bibliography and notes on the ...
This dissertation analyzes cross-dressing as a means through which texts (re)construct masculinity a...
Múltiples son los ejemplos de la literatura y del cine español contemporáneos que presentan el géner...
Reseña de María Cristina Quintero, <em>Gendering the Crown in the Spanish Baroque «Comedia»</em>, As...
This essay takes aim at the gender-performance trouble that Hipolita and her brother...
This essay takes aim at the gender-performance trouble that Hipólita and her brother...
Women’s equality, cross dressing, homoerotic desire—all the makings of a twenty-firstcentury comedy—...
This study analyses gender in three of Tirso de Molina’s comedias urbanas and their subsequent perfo...
La prueba was first published in 1617, when Lope included it as the first play of the first collecti...
Abstract: Centlivre has been regarded as a master of sentimental comedy, a genre that reached its ma...
La más constante mujer is a Spanish Golden Age play written by Juan Pérez de Montalbán in 1631 and p...
Recent stage versions of Tirso de Molina’s Don Gil de las calzas verdes have departed from tradition...
textThe brothel has an important role in Latin American literature and film. The fictional brothel ...
Sor Juana Inés de la Cruz (1648-1695) wrote poetry, prose, and plays and is considered the greatest ...
Contra valor no hay desdicha was first published in 1638 by María de Quiñones, and app...
This thesis is not available on this repository until the author agrees to make it public. If you ar...
This dissertation analyzes cross-dressing as a means through which texts (re)construct masculinity a...
Múltiples son los ejemplos de la literatura y del cine español contemporáneos que presentan el géner...
Reseña de María Cristina Quintero, <em>Gendering the Crown in the Spanish Baroque «Comedia»</em>, As...
This essay takes aim at the gender-performance trouble that Hipolita and her brother...
This essay takes aim at the gender-performance trouble that Hipólita and her brother...
Women’s equality, cross dressing, homoerotic desire—all the makings of a twenty-firstcentury comedy—...
This study analyses gender in three of Tirso de Molina’s comedias urbanas and their subsequent perfo...
La prueba was first published in 1617, when Lope included it as the first play of the first collecti...
Abstract: Centlivre has been regarded as a master of sentimental comedy, a genre that reached its ma...
La más constante mujer is a Spanish Golden Age play written by Juan Pérez de Montalbán in 1631 and p...
Recent stage versions of Tirso de Molina’s Don Gil de las calzas verdes have departed from tradition...
textThe brothel has an important role in Latin American literature and film. The fictional brothel ...
Sor Juana Inés de la Cruz (1648-1695) wrote poetry, prose, and plays and is considered the greatest ...
Contra valor no hay desdicha was first published in 1638 by María de Quiñones, and app...
This thesis is not available on this repository until the author agrees to make it public. If you ar...
This dissertation analyzes cross-dressing as a means through which texts (re)construct masculinity a...
Múltiples son los ejemplos de la literatura y del cine español contemporáneos que presentan el géner...
Reseña de María Cristina Quintero, <em>Gendering the Crown in the Spanish Baroque «Comedia»</em>, As...