La prueba was first published in 1617, when Lope included it as the first play of the first collection of his works whose publication he oversaw. In spite of this prominent position in Lope’s corpus, the play is comparatively unknown. In the introduction to this edition, Ostlund suggests that the relative obscurity of the play is partly due to its provocative themes. La prueba de los ingenios includes sexual themes touching on homoerotic desire, transvestism, and gender equality, bucking the traditional seventeenth century Spanish norms. In a drama containing themes still popular today, Lope de Vega presents a defense of women, primarily through the character of Florela, in response to misogynist criticism found in Juan Huarte de San Juan’s...
This article examines to what extent Lope de Vega was involved in the controversy surrounding the ro...
This essay takes aim at the gender-performance trouble that Hipolita and her brother...
Women dressed as men first appeared in the Madrid corrales in 1587. Because of its obvious erotic ap...
Women’s equality, cross dressing, homoerotic desire—all the makings of a twenty-firstcentury comedy—...
Lope de Vega’s <em>corpus</em> of plays is one of the most studied of Spanish Baroque theater, altho...
Some considerations on feminine protagonism in the plays of Lope de Vega, with particular attention ...
Seventeenth-century Spain witnessed a rich flowering of dramatic activity that paralleled the Renais...
Submitted in partial fulfillment of the requirements for the degree of Master of ArtsText from prefa...
This book offers the reader for the first time in English some of Joan Oleza’s most representative e...
Renaissance Europe was the scene of flourishing and innovative dramatic art, and seventeenth-century...
Chapters one and two offer a theoretical and historical survey of masculinities in early modern Spai...
Guillén de Castro's play La fuerza de la costumbre (1625) depicts the process of re-teaching gender ...
All rights remain with the author.As an example of how newly reformulated, gender-inclusive Comedia ...
This thesis presents a first critical edition of Lope de Vega’s saint’s play 'San Nicolás de Tolenti...
This study analyses gender in three of Tirso de Molina’s comedias urbanas and their subsequent perfo...
This article examines to what extent Lope de Vega was involved in the controversy surrounding the ro...
This essay takes aim at the gender-performance trouble that Hipolita and her brother...
Women dressed as men first appeared in the Madrid corrales in 1587. Because of its obvious erotic ap...
Women’s equality, cross dressing, homoerotic desire—all the makings of a twenty-firstcentury comedy—...
Lope de Vega’s <em>corpus</em> of plays is one of the most studied of Spanish Baroque theater, altho...
Some considerations on feminine protagonism in the plays of Lope de Vega, with particular attention ...
Seventeenth-century Spain witnessed a rich flowering of dramatic activity that paralleled the Renais...
Submitted in partial fulfillment of the requirements for the degree of Master of ArtsText from prefa...
This book offers the reader for the first time in English some of Joan Oleza’s most representative e...
Renaissance Europe was the scene of flourishing and innovative dramatic art, and seventeenth-century...
Chapters one and two offer a theoretical and historical survey of masculinities in early modern Spai...
Guillén de Castro's play La fuerza de la costumbre (1625) depicts the process of re-teaching gender ...
All rights remain with the author.As an example of how newly reformulated, gender-inclusive Comedia ...
This thesis presents a first critical edition of Lope de Vega’s saint’s play 'San Nicolás de Tolenti...
This study analyses gender in three of Tirso de Molina’s comedias urbanas and their subsequent perfo...
This article examines to what extent Lope de Vega was involved in the controversy surrounding the ro...
This essay takes aim at the gender-performance trouble that Hipolita and her brother...
Women dressed as men first appeared in the Madrid corrales in 1587. Because of its obvious erotic ap...