The article describes the practices of acquisition of music behind the üben Collection. Music was copied into manuscripts from prints, but was also obtained in the form of groups of manuscripts from different regions of Europe. Close personal contacts and networks seem to have been more important than traditional trade routes.Razprava opisuje, na kakšne načine so prihajale muzikalije v Dübnovo zbirko. Glasbo so zanjo prepisovali iz tiskov, so pa tudi iz raznih predelov Evrope pridobivali cele skupine rokopisnih prepisov. Z di se,da so bila tesna osebna prijateljstva in zasebne mreže pri tem pomembnejše kot uradne tržne poti
The article deals with music publications of the beginning of the 16th–19th c. – antiphonals, gradua...
The article observes distortions of the historiographical narrative about the musical culture of Slo...
An important factor in the Catholic reconquest of Silesia in the seventeenth century was the cultiva...
During the second half of the eighteenth century cloister musicians at monasteries in Upper and Lowe...
je proti koncu 16. stoletja ustvaril zbirko 267 glasbenih tiskov večinoma beneškega izvora. Avtor te...
Georg Knoff, a patrician from Gdańsk, amassed towards the end of the sixteenth century a collection ...
The marriages of the King of Poland Sigismund III Vasa with Anne (1592) and subsequently her sister ...
This paper considers two polyphonic sources from the turn of the seventeenth century (CZ-Pu, 59 E 97...
The article combines the current methodical concepts of “cultural transfer” and “spatial sociology” ...
The paper focuses on issues concerned with the heritage of historical music manuscripts and prints, ...
The thesis of the article is that Nikola Udina/Niccolò Algarott i (Krk/Veglia, 1791 – Vienna, 1838) ...
The article presents a fragment of provenance researches conducted on the largest mu¬sical legacies ...
se težiščem dveh večjih aspektov širitve glas-benih virov v zgodnjem novem veku – med razširjanjem v...
This article aims to offer an overview of the rise, growth and diversification of academic music res...
The culturological project officially titled as Die Österreichisch-Ungarische Monarchie in Wort und ...
The article deals with music publications of the beginning of the 16th–19th c. – antiphonals, gradua...
The article observes distortions of the historiographical narrative about the musical culture of Slo...
An important factor in the Catholic reconquest of Silesia in the seventeenth century was the cultiva...
During the second half of the eighteenth century cloister musicians at monasteries in Upper and Lowe...
je proti koncu 16. stoletja ustvaril zbirko 267 glasbenih tiskov večinoma beneškega izvora. Avtor te...
Georg Knoff, a patrician from Gdańsk, amassed towards the end of the sixteenth century a collection ...
The marriages of the King of Poland Sigismund III Vasa with Anne (1592) and subsequently her sister ...
This paper considers two polyphonic sources from the turn of the seventeenth century (CZ-Pu, 59 E 97...
The article combines the current methodical concepts of “cultural transfer” and “spatial sociology” ...
The paper focuses on issues concerned with the heritage of historical music manuscripts and prints, ...
The thesis of the article is that Nikola Udina/Niccolò Algarott i (Krk/Veglia, 1791 – Vienna, 1838) ...
The article presents a fragment of provenance researches conducted on the largest mu¬sical legacies ...
se težiščem dveh večjih aspektov širitve glas-benih virov v zgodnjem novem veku – med razširjanjem v...
This article aims to offer an overview of the rise, growth and diversification of academic music res...
The culturological project officially titled as Die Österreichisch-Ungarische Monarchie in Wort und ...
The article deals with music publications of the beginning of the 16th–19th c. – antiphonals, gradua...
The article observes distortions of the historiographical narrative about the musical culture of Slo...
An important factor in the Catholic reconquest of Silesia in the seventeenth century was the cultiva...