Georg Knoff, a patrician from Gdańsk, amassed towards the end of the sixteenth century a collection of 267 music prints, the majority of them originating from Venice. The author puts forward the hypothesis that Knoff obtained the editions by making use of direct contacts with Italy. The aim of the collection was not so much to provide repertory for performance as to emphasize Knoff’s social status.Georg Knoff, patricij iz mesta Gdansk, je proti koncu 16. stoletja ustvaril zbirko 267 glasbenih tiskov večinoma beneškega izvora. Avtor te razprave predvideva, da je Knoff glasbene tiske pridobival po poti neposrednih stikov z Benetkami. Zbirka očitno ni bila namenjena izvajanju glasbe, temveč bolj izrazu Knoffovega družbenega položaja
This thesis examines the collection of fifteenth- and sixteenth-century German, Dutch and Flemish pr...
The marriages of the King of Poland Sigismund III Vasa with Anne (1592) and subsequently her sister ...
In the second half of the sixteenth century, the European market for printed music had largely conso...
je proti koncu 16. stoletja ustvaril zbirko 267 glasbenih tiskov večinoma beneškega izvora. Avtor te...
The article describes the practices of acquisition of music behind the üben Collection. Music was co...
The article presents a fragment of provenance researches conducted on the largest mu¬sical legacies ...
A copy of Sacrae cantiones, a collection of compositions by Jacob Handl – Gallus published in 1597 i...
The paper focuses on the relationship between the Viennese music collector Franz Sales Kandler (1792...
se težiščem dveh večjih aspektov širitve glas-benih virov v zgodnjem novem veku – med razširjanjem v...
Tragajući za starom hrvatskom tiskanom knjigom, autor je uspio otkupiti primjerke ovih glagoljskih i...
Drukarnia W. Deckera była bardzo znanym zakładem typograficznym w Poznaniu okresu zaborów. W artykul...
This paper attempts to prove that Venice was the main geographical center of music printing and publ...
The paper focuses on issues concerned with the heritage of historical music manuscripts and prints, ...
The thesis of the article is that Nikola Udina/Niccolò Algarott i (Krk/Veglia, 1791 – Vienna, 1838) ...
Discusses the Capriccio stravagante by the Italian violin virtuoso Carlo Farina, as court Konzertmei...
This thesis examines the collection of fifteenth- and sixteenth-century German, Dutch and Flemish pr...
The marriages of the King of Poland Sigismund III Vasa with Anne (1592) and subsequently her sister ...
In the second half of the sixteenth century, the European market for printed music had largely conso...
je proti koncu 16. stoletja ustvaril zbirko 267 glasbenih tiskov večinoma beneškega izvora. Avtor te...
The article describes the practices of acquisition of music behind the üben Collection. Music was co...
The article presents a fragment of provenance researches conducted on the largest mu¬sical legacies ...
A copy of Sacrae cantiones, a collection of compositions by Jacob Handl – Gallus published in 1597 i...
The paper focuses on the relationship between the Viennese music collector Franz Sales Kandler (1792...
se težiščem dveh večjih aspektov širitve glas-benih virov v zgodnjem novem veku – med razširjanjem v...
Tragajući za starom hrvatskom tiskanom knjigom, autor je uspio otkupiti primjerke ovih glagoljskih i...
Drukarnia W. Deckera była bardzo znanym zakładem typograficznym w Poznaniu okresu zaborów. W artykul...
This paper attempts to prove that Venice was the main geographical center of music printing and publ...
The paper focuses on issues concerned with the heritage of historical music manuscripts and prints, ...
The thesis of the article is that Nikola Udina/Niccolò Algarott i (Krk/Veglia, 1791 – Vienna, 1838) ...
Discusses the Capriccio stravagante by the Italian violin virtuoso Carlo Farina, as court Konzertmei...
This thesis examines the collection of fifteenth- and sixteenth-century German, Dutch and Flemish pr...
The marriages of the King of Poland Sigismund III Vasa with Anne (1592) and subsequently her sister ...
In the second half of the sixteenth century, the European market for printed music had largely conso...