Contrary to previous scholarship, which has claimed that university drama did not occur at the English universities before the Tudor period, Meacham argues that there was a vibrant tradition of performance throughout the fourteenth and fifteenth centuries. He suggests an earlier tradition has not been recognized because, in addition to the false assumption that medieval pedagogy cannot support such activity, the full range of medieval performance practices or texts, beyond the traditional play text, have not been considered. This book takes as its focus one of the last medieval university plays, Thomas Chaundler’s Liber apologeticus de omni statu humanae naturae (A defense of human nature in every state, c. 1460). Meacham positions Liber ...