MA (Musicology), North-West University, Potchefstroom Campus, 2015This dissertation explores the contribution to opera in South Africa by The Black Tie Ensemble. The research follows a qualitative research design. It is a historical case study which is conducted against an interpretivist philosophical perspective. Data were collected through interviews conducted with prominent role-players in The Black Tie Ensemble and through various articles from newspapers and magazines. From the data collected, specific themes crystallized; the impact of performance and training opportunities flourished during the twelve years of the existence of this unique programme, the development of singers and sponsorship to the arts contributed significantly to t...
In this qualitative study the researcher investigates how school choir competitions in South Africa ...
DMus (Music Performance), North-West University, Potchefstroom CampusThe purpose of this interpretat...
This article is an extended version of two papers exploring White Spectatorship in Victorian Britain...
M.Mus (Musicology), North-West University, Potchefstroom Campus, 2018This study explores the mediati...
This research draws on Dr Veit Erlmann’s illuminating article “Spectatorial Lust’ in Africans on Sta...
MA (Musicology), North-West University, Potchefstroom Campus, 2015The purpose of this collective cas...
Numerous studies emphasise the importance of music-making as an integral human experience, but only ...
This article is concerned with the noticeable increase in musicians from previously disadvantaged c...
Thesis (Ph.D.-Music)-University of Natal, 2002.Amakwaya refers to the tradition and performance prac...
phD North-West University, Potchefstroom CampusThis instrumental case study investigates the vocal m...
In South Africa, the exposure of opera to local cultures and circumstances has in time resulted in a...
The Eoan Group, founded in 1933 in Cape Town, was South Africaâs first and only all-coloured opera, ...
This qualitative mini-treatise explores how South African choral identity is perceived by three regi...
This dissertation project will trace the history of classically-trained African American tenor vocal...
South Africa has a vibrant and well-developed choral music scene that incorporates many musical genr...
In this qualitative study the researcher investigates how school choir competitions in South Africa ...
DMus (Music Performance), North-West University, Potchefstroom CampusThe purpose of this interpretat...
This article is an extended version of two papers exploring White Spectatorship in Victorian Britain...
M.Mus (Musicology), North-West University, Potchefstroom Campus, 2018This study explores the mediati...
This research draws on Dr Veit Erlmann’s illuminating article “Spectatorial Lust’ in Africans on Sta...
MA (Musicology), North-West University, Potchefstroom Campus, 2015The purpose of this collective cas...
Numerous studies emphasise the importance of music-making as an integral human experience, but only ...
This article is concerned with the noticeable increase in musicians from previously disadvantaged c...
Thesis (Ph.D.-Music)-University of Natal, 2002.Amakwaya refers to the tradition and performance prac...
phD North-West University, Potchefstroom CampusThis instrumental case study investigates the vocal m...
In South Africa, the exposure of opera to local cultures and circumstances has in time resulted in a...
The Eoan Group, founded in 1933 in Cape Town, was South Africaâs first and only all-coloured opera, ...
This qualitative mini-treatise explores how South African choral identity is perceived by three regi...
This dissertation project will trace the history of classically-trained African American tenor vocal...
South Africa has a vibrant and well-developed choral music scene that incorporates many musical genr...
In this qualitative study the researcher investigates how school choir competitions in South Africa ...
DMus (Music Performance), North-West University, Potchefstroom CampusThe purpose of this interpretat...
This article is an extended version of two papers exploring White Spectatorship in Victorian Britain...