South Africa has a vibrant and well-developed choral music scene that incorporates many musical genres and is evident in most, if not all, sectors of South African society. In this pilot study, which focuses on the choir of the University of the Witwatersrand, I investigate the relationship between the identity that choristers construct for their choirs and their individual identities. I look at the musical construction of South Africanness, the renegotiation of whiteness, and the way in which choristers are engaging with global communities. Journal of Musical Arts in Africa Vol. 1 2004: pp. 103-11
This article discusses the notion of sharing music and culture as an effective platform to celebrate...
This paper begins to explore the notion of a South African identity in Australia through community m...
This article is concerned with the noticeable increase in musicians from previously disadvantaged c...
This qualitative mini-treatise explores how South African choral identity is perceived by three regi...
This article explores how three regional children’s choirs and their practitioners, from different p...
This paper examines some of the ways in which South African music is involved in the negotiation of ...
MA (Musicology), North-West University, Potchefstroom Campus, 2015The purpose of this collective cas...
Numerous studies emphasise the importance of music-making as an integral human experience, but only ...
Thesis (Ph.D.-Music)-University of Natal, 2002.Amakwaya refers to the tradition and performance prac...
akKOORd, a community choir in the relatively small southern region of the Overberg, was formed in 20...
akKOORd, a community choir in the relatively small southern region of the Overberg, was formed in 20...
Choral musicians and music educators throughout the world have been singing a more globalized repert...
In this qualitative study the researcher investigates how school choir competitions in South Africa ...
Choral music has played an important role in the liberation of South African people, and it is still...
Ndwamaṱo George Mugovhani is a distinguished scholar, emeritus professor, composer, and arranger of ...
This article discusses the notion of sharing music and culture as an effective platform to celebrate...
This paper begins to explore the notion of a South African identity in Australia through community m...
This article is concerned with the noticeable increase in musicians from previously disadvantaged c...
This qualitative mini-treatise explores how South African choral identity is perceived by three regi...
This article explores how three regional children’s choirs and their practitioners, from different p...
This paper examines some of the ways in which South African music is involved in the negotiation of ...
MA (Musicology), North-West University, Potchefstroom Campus, 2015The purpose of this collective cas...
Numerous studies emphasise the importance of music-making as an integral human experience, but only ...
Thesis (Ph.D.-Music)-University of Natal, 2002.Amakwaya refers to the tradition and performance prac...
akKOORd, a community choir in the relatively small southern region of the Overberg, was formed in 20...
akKOORd, a community choir in the relatively small southern region of the Overberg, was formed in 20...
Choral musicians and music educators throughout the world have been singing a more globalized repert...
In this qualitative study the researcher investigates how school choir competitions in South Africa ...
Choral music has played an important role in the liberation of South African people, and it is still...
Ndwamaṱo George Mugovhani is a distinguished scholar, emeritus professor, composer, and arranger of ...
This article discusses the notion of sharing music and culture as an effective platform to celebrate...
This paper begins to explore the notion of a South African identity in Australia through community m...
This article is concerned with the noticeable increase in musicians from previously disadvantaged c...