Personal listening technologies have been credited with the privatization of listening, yet this idea seems difficult to sustain. In exploring the history of personal listening, this chapter highlights the need to distinguish between notions of private and personal, along with their commonly used synonym, individual. This analysis compels the reader to consider personal listening within its broader cultural context, as something also public, collective and communal. Furthermore, in light of the long history of personal listening practices, it interrogates the complex relationship between technological and cultural imperatives, encouraging the reader to question their assumptions about the causes of cultural change
Abstract In this chapter I develop the psychological underpinnings of environmental music towards an...
This thesis explores how the social boundaries contained in musical listening are used to manage the...
The question addressed in this dissertation is situated at the intersection of sound studies, media ...
Personal listening technologies have been credited with the privatization of listening, yet this ide...
Until the 1920s, music listening had hardly, if at all, been available as a means for individual moo...
Listening to music alone, what may be termed solitary listening, is probably the most widespread for...
In the winter of 1979 Sony introduced a hand-held cassette player called the Walkman—a device that c...
This paper examines the interrelationship of technology, space and identity as exhibited in the dome...
Streaming platforms, video-sharing platforms and mobile technologies are a ubiquitous part of everyd...
The decade of the 2000s has witnessed the rise of the iPod, a well-marketed mp3 player whose massive...
Technologically mediated solitary listening now constitutes the prevalent mode of musical engagement...
Recorded music is a significant part of daily life for most people and has been for about one hundre...
Walkman and iPod devices have often been discussed in quasi-cinematic terms. This typically implies ...
Lonely Sounds: Popular Recorded Music and American Society, 1949-1979 examines the relationship betw...
Past research on mobile music listening (a.o. : Bull, 2000, 2007; Thibaud, 1994) has given small int...
Abstract In this chapter I develop the psychological underpinnings of environmental music towards an...
This thesis explores how the social boundaries contained in musical listening are used to manage the...
The question addressed in this dissertation is situated at the intersection of sound studies, media ...
Personal listening technologies have been credited with the privatization of listening, yet this ide...
Until the 1920s, music listening had hardly, if at all, been available as a means for individual moo...
Listening to music alone, what may be termed solitary listening, is probably the most widespread for...
In the winter of 1979 Sony introduced a hand-held cassette player called the Walkman—a device that c...
This paper examines the interrelationship of technology, space and identity as exhibited in the dome...
Streaming platforms, video-sharing platforms and mobile technologies are a ubiquitous part of everyd...
The decade of the 2000s has witnessed the rise of the iPod, a well-marketed mp3 player whose massive...
Technologically mediated solitary listening now constitutes the prevalent mode of musical engagement...
Recorded music is a significant part of daily life for most people and has been for about one hundre...
Walkman and iPod devices have often been discussed in quasi-cinematic terms. This typically implies ...
Lonely Sounds: Popular Recorded Music and American Society, 1949-1979 examines the relationship betw...
Past research on mobile music listening (a.o. : Bull, 2000, 2007; Thibaud, 1994) has given small int...
Abstract In this chapter I develop the psychological underpinnings of environmental music towards an...
This thesis explores how the social boundaries contained in musical listening are used to manage the...
The question addressed in this dissertation is situated at the intersection of sound studies, media ...