A study of three film-related books that approach their subject from a phenomenological perspective: - Documentary time: film and phenomenology (Malin Wahlberg); - The tactile eye: touch and the cinematic experience (Jennifer Barker), and; - Cinematic emotion in horror films and thrillers (Julian Hanich)
The work of Jung is not useful only for therapy, but also as a way of understanding the world, trans...
How is film changing? What does it do, and what do we do with it? This book examines the reasons why...
When we talk of 'seeing' a film, we do not refer to a purely visual experience. Rather, to understan...
Using hybrid phenomenological approaches to film, this book focuses on how moving images are 'experi...
Our intention is to focus attention upon the nature of the film medium and the peculiar possibilitie...
Walking alongside an acrobat on a high wire suspended in mid-air; falling at breakneck speed towards...
[Extract] The motion picture is not just a reflection upon the perception of our lived reality, but ...
The Routledge International Handbook of Jungian Film Studies weaves together the various strands of ...
In this article Christian Ferencz-Flatz and I try to give an answer to the question what film phenom...
A collection of essays on ‘cinematic atmospheres ’ could give reason to fear that they will be as ne...
Film Phenomenology and Adaptation: Sensuous Elaboration argues that in order to make sense of film a...
Cinema seeks to recreate human experiences, expressing the relation we entertain with our reality. A...
This book identifies a new methodological strategy for the interpretation of film philosophizing. Ma...
Why can fear be pleasurable? Why do we sometimes enjoy an emotion we otherwise desperately wish to a...
We've all had the experience of watching a film and feeling like we've been in a trance. This book t...
The work of Jung is not useful only for therapy, but also as a way of understanding the world, trans...
How is film changing? What does it do, and what do we do with it? This book examines the reasons why...
When we talk of 'seeing' a film, we do not refer to a purely visual experience. Rather, to understan...
Using hybrid phenomenological approaches to film, this book focuses on how moving images are 'experi...
Our intention is to focus attention upon the nature of the film medium and the peculiar possibilitie...
Walking alongside an acrobat on a high wire suspended in mid-air; falling at breakneck speed towards...
[Extract] The motion picture is not just a reflection upon the perception of our lived reality, but ...
The Routledge International Handbook of Jungian Film Studies weaves together the various strands of ...
In this article Christian Ferencz-Flatz and I try to give an answer to the question what film phenom...
A collection of essays on ‘cinematic atmospheres ’ could give reason to fear that they will be as ne...
Film Phenomenology and Adaptation: Sensuous Elaboration argues that in order to make sense of film a...
Cinema seeks to recreate human experiences, expressing the relation we entertain with our reality. A...
This book identifies a new methodological strategy for the interpretation of film philosophizing. Ma...
Why can fear be pleasurable? Why do we sometimes enjoy an emotion we otherwise desperately wish to a...
We've all had the experience of watching a film and feeling like we've been in a trance. This book t...
The work of Jung is not useful only for therapy, but also as a way of understanding the world, trans...
How is film changing? What does it do, and what do we do with it? This book examines the reasons why...
When we talk of 'seeing' a film, we do not refer to a purely visual experience. Rather, to understan...
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