We've all had the experience of watching a film and feeling like we've been in a trance. This book takes that experience seriously, explaining cinema as a cultural technique of trance, one that unconsciously transforms our perceptions. Ute Holl moves from anthropological and experimental cinema through nineteenth-century psychological laboratories, which she shows developed techniques for testing, measuring, and classifying the mind that can be seen as a prehistory of cinema, one that allows us to see the links among cinema, anthropology, psychology, and cybernetics
International audienceThis book looks at a much-debated phenomenon in contemporary cinema: the re-em...
"Cinema: A Visual Anthropology provides a clear and concise summary of the key ideas, debates, and t...
This paper is based on an analysis of the notion of “Optical Unconscious” by Walter Benjamin. It ...
Ute Holl explores cinema as a cultural technique of trance, unconsciously transforming everyday spa...
When we talk of 'seeing' a film, we do not refer to a purely visual experience. Rather, to understan...
Visible Mind is a book about why film is so important to contemporary life, how film affects us psyc...
Analytic account of theories of spectatorship as pioneered in the theory of cinema. Th gaze as a con...
This article maps out and conceptualizes the way cinema emerged as a novel type of technology of the...
Cinema seeks to recreate human experiences, expressing the relation we entertain with our reality. A...
In 'Mapping the Moving Image', Pasi Väliaho shows how cinema came to change the way we act, think, a...
Walking alongside an acrobat on a high wire suspended in mid-air; falling at breakneck speed towards...
We see the film like a reality because our perception of the film is like a reality around us. Movie...
The aim of this paper is to examine the interrelationship between the history of film theories and t...
When new technologies are integrated with older media, potential viewers are introduced to these cha...
This paper attempts to look into the concept of ���Mechanical Perception��� in Early film theory, sp...
International audienceThis book looks at a much-debated phenomenon in contemporary cinema: the re-em...
"Cinema: A Visual Anthropology provides a clear and concise summary of the key ideas, debates, and t...
This paper is based on an analysis of the notion of “Optical Unconscious” by Walter Benjamin. It ...
Ute Holl explores cinema as a cultural technique of trance, unconsciously transforming everyday spa...
When we talk of 'seeing' a film, we do not refer to a purely visual experience. Rather, to understan...
Visible Mind is a book about why film is so important to contemporary life, how film affects us psyc...
Analytic account of theories of spectatorship as pioneered in the theory of cinema. Th gaze as a con...
This article maps out and conceptualizes the way cinema emerged as a novel type of technology of the...
Cinema seeks to recreate human experiences, expressing the relation we entertain with our reality. A...
In 'Mapping the Moving Image', Pasi Väliaho shows how cinema came to change the way we act, think, a...
Walking alongside an acrobat on a high wire suspended in mid-air; falling at breakneck speed towards...
We see the film like a reality because our perception of the film is like a reality around us. Movie...
The aim of this paper is to examine the interrelationship between the history of film theories and t...
When new technologies are integrated with older media, potential viewers are introduced to these cha...
This paper attempts to look into the concept of ���Mechanical Perception��� in Early film theory, sp...
International audienceThis book looks at a much-debated phenomenon in contemporary cinema: the re-em...
"Cinema: A Visual Anthropology provides a clear and concise summary of the key ideas, debates, and t...
This paper is based on an analysis of the notion of “Optical Unconscious” by Walter Benjamin. It ...