A provocation reflecting on puppet theatre directing, the director’s tools,teaching and training philosophy
This text presents the Union International de la Marionette – UNIMA, an organization founded in 1929...
This text presents the Union Internationale de la Marionette - UNIMA, an organization founded in 192...
The Ecole Nationale Supérieure des arts de la Marionnette was created in1987 by Margareta Niculescu ...
A provocation reflecting on puppet theatre directing, the director’s tools,teaching and training phi...
In this article the Romanian director Irina Niculescu talks about her theatrical experience, reflect...
This article discusses, through a dialogue between puppeteers, teachers and academics Cariad Astles ...
The essay is the transcription, with some editing, of the conference-dialogue presented by two train...
Quality design and virtuoso performance do not always produce a good play.They are not enough; neith...
At first – terminology. The words should respond to their designates. So the puppet theatre means th...
In Poland, as well in the East European countries, puppet theatres of the second half of the 20th ce...
The article presents the rationale that training for scenic speech for puppeteers should be specific...
The author presents the two arms of his pedagogical practice. The first one is the work method Velli...
In the theoretical part I explain the origin of the puppet and puppetry and their history and develo...
Dance is an artistic genre that is more and more frequently used in theatre productions. The syncret...
Undoubtedly, it is impossible Teaching any kind of Art without contemplating the others. Based on di...
This text presents the Union International de la Marionette – UNIMA, an organization founded in 1929...
This text presents the Union Internationale de la Marionette - UNIMA, an organization founded in 192...
The Ecole Nationale Supérieure des arts de la Marionnette was created in1987 by Margareta Niculescu ...
A provocation reflecting on puppet theatre directing, the director’s tools,teaching and training phi...
In this article the Romanian director Irina Niculescu talks about her theatrical experience, reflect...
This article discusses, through a dialogue between puppeteers, teachers and academics Cariad Astles ...
The essay is the transcription, with some editing, of the conference-dialogue presented by two train...
Quality design and virtuoso performance do not always produce a good play.They are not enough; neith...
At first – terminology. The words should respond to their designates. So the puppet theatre means th...
In Poland, as well in the East European countries, puppet theatres of the second half of the 20th ce...
The article presents the rationale that training for scenic speech for puppeteers should be specific...
The author presents the two arms of his pedagogical practice. The first one is the work method Velli...
In the theoretical part I explain the origin of the puppet and puppetry and their history and develo...
Dance is an artistic genre that is more and more frequently used in theatre productions. The syncret...
Undoubtedly, it is impossible Teaching any kind of Art without contemplating the others. Based on di...
This text presents the Union International de la Marionette – UNIMA, an organization founded in 1929...
This text presents the Union Internationale de la Marionette - UNIMA, an organization founded in 192...
The Ecole Nationale Supérieure des arts de la Marionnette was created in1987 by Margareta Niculescu ...