My work explores the empathic connections between humans and the physical landscape and investigates the phenomenon of psychological distress associated withclimate change. I use memories of my itinerant shifts between landscapes to createabstracted ceramic sculptures; for these I reference mountain and glacial forms, anextension of my own experience growing up in Alaska. Ceramics is a medium whichreadily records the hand of the maker while making forms permanent through the firingprocess. I use this aspect of the material to freeze moments in time where the clay splitsand cracks, implying a slow collapse. This reflection of time’s effect on materials elicitscorrelations between the temporality of flesh and ice and stone. Combining materi...